Wittgenstein's Chopin: Interdisciplinarity and 'the Music Itself'
p. 41
Preserving the Performance: Scholarship as Art?
p. 52
Echoing the 'Mortal Ear': Orfeo's Indiscipline
p. 63
Is Music Criticism Criticism?
p. 67
Modernist Futures
p. 74
Conversation, Sport, or Hatchet Job? Criticism and the Power of Metaphor
p. 83
Set Adrift in Style: The Scholar as Fiction and Film-Maker in Jacob's Room
p. 94
Languages for Learning to Delight in Art
p. 107
Loopholes in Performance
p. 114
Etymology and its Others
p. 126
Yves Bonnefoy's Recits en reve: The Intersection of Creativity and Critique
p. 135
On Touching: War, Art, and the Realm of the Senses
p. 145
Snapshots from the Hereafter: Benjamin, Adorno, and the Critic as Photographer
p. 162
Faith and Doubt: An Alternative Dialectic
p. 174
Literature and the Theory of Games: Kleist's Verlobung in St Domingo as an Example
p. 188
Towards Discursive Discipline: Dance beyond Metaphor in Critical Writing
p. 199
Interdisciplinarity and Public Engagement
p. 211
Bibliography
Works Cited
p. 222
Further Reading
p. 238
Index
p. 241
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