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General Editor's Preface
iii
Acknowledgements
x
Introduction: Judith Thompson in Criticism
vii
by Ric Knowles
"Cause You're the Only One I Want:" The Anatomy of Love in the Plays of Judith Thompson
by George Toles (1988)
1
(19)
Spatial Metaphor in the Plays of Judith Thompson
by Robert C. Nunn (1989)
20
(21)
The Implicated Audience: Judith Thompson's Anti-Naturalism in The Crackwalker, White Biting Dog, I Am Yours, and Lion in the Streets
by Julie Adam (1992)
41
(6)
Constructing Fictions of an Essential Reality, or "This Pickshur is Niiiice": Judith Thompson's Lion in the Streets
by Jen Harvie (1992)
47
(12)
Going North on Judith Thompson's Sled
by Sherrill Grace (1998)
59
(15)
From "Judith Thompson: Social Psychomachia" (in The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition)
by Craig Stewart Walker (2001)
74
(18)
Judith Thompson's Ghosts: The Revenants That Haunt the Plays
by Claudia Barnett (2003)
92
(7)
Monstrous History: Judith Thompson's Sled
by Penny Farfan (2004)
99
(7)
Staging the Post-Colonial Monster in Judith Thompson's Capture Me
by Dalbir Singh (2004)
106
(5)
Who is the Stranger?: The Role of the Monstrous in Judith Thompson's Capture Me
by Robyn Read (2005)
111
(12)
Environmental Affinities: Naturalism and the Porous Body
by Laura Levin (2005)
123
(13)
Building an Ethical Architecture: Judith Thompson's Habitat and the Shape of Radical Humanism
by Kim Solga (2005)
136
(13)
Suggested Further Reading
149
(6)
Notes on Contributors
155
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