Lost Everything

From the author of the critically acclaimed literary SF novels Spaceman Blues and Liberation comes an incandescent and thrilling future history dystopia in the vein of 1984 or The Hunger Games. Lost Everything is the story of a man who takes a boat trip up the Susquehanna River, through a version of America that's been torn apart by a mysterious war, in order to find and rescue his lost wife and son. Slattery's prose moves seamlessly between present and past, action and memory. With Lost Everything , he celebrates the resilience and ingenuity of the American spirit.

Brian Francis Slattery was born and raised in upstate New York. He is an editor for the U.S. Institute of Peace and the New Haven Review. He is the author of Spaceman Blues and Liberation, and is also a musician. He lives near New Haven, CT.

"If you think this sounds like Thomas Pynchon or John Calvin Batchelor territory, you would be correct. Slattery’s approach walks a tightrope between absurdism and a kind of accentuated Byzantine realism."
—The Believer on Liberation

"Liberation combined the serious and the satirical in creating an unforgettable image of a future America beset by the collapse of the dollar and the specter of a new form of slavery."
—Omnivoracious, naming Liberation Amazon.com's #1 SF&F book of 2008

“For Fans Of: the surreal odyssey of Ralph Ellison’s Invisible Man; Plan 9 from Outer Space.… For all its colorful characters and gonzo thrills, Slattery’s debut is first and foremost a moving portrait of Wendell's griefs. A-”
—Entertainment Weekly on Spaceman Blues

"Slattery’s debut is a kaleidoscopic celebration of the immigrant experience.… Pynchon crossed with Steinbeck, painted by Dalí: impossible to summarize, swinging from the surreal to the hyper-real, a brilliantly handled, tumultuous yarn.”
—Kirkus Reviews on Spaceman Blues

“Early reviews of Spaceman Blues threw around the names of Pynchon, Doctorow, and Dick as stylistic touchstones. But Slattery should really be considered alongside NYC homeboys like Lethem and Shteyngart, the former for his loving tweaks of vintage pulp, the latter for his sharp immigrant comedy.”
—The Village Voice