How emerging technologies are reshaping the dynamic between musical regulation and resistance
Aram Sinnreich is assistant professor of journalism and media studies at Rutgers University.
List of Illustrations
p. xi
Preface
p. xiii
Acknowledgments
p. xxi
Introduction: The Bust
p. 1
When the Mode of the Music Changes
p. 13
Music as a Controlled Substance
p. 15
The Modern Framework
p. 41
The Crisis of Configurability
p. 69
Drawing Lines in the Sand
p. 91
Yes; But Is It Art?
The Art/Craft Binary
p. 95
Some Kid in His Bedroom
The Artist/Audience Binary
p. 107
Something Borrowed, Something New
The Original/Copy Binary
p. 124
Live from a Hard Drive
The Composition/Performance Binary
p. 148
Hooks and Hearts
The Figure/Ground Binary
p. 159
"He Plays Dictaphones, and She Plays Bricks"
The Materials/Tools Binary
p. 170
The Lessons Configurability and the New Framework
p. 179
Critique and Co-optation
p. 181
"Plus Ça Change" or Paradigm Shift?
p. 193
Notes
p. 209
Index
p. 227
Table of Contents provided by Ingram. All Rights Reserved.
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