2. The Arts Show Audience: Cultural Confidence and Middle Ground Support
41
(22)
Brian O'Neill
SECTION TWO: THE GENDERED AUDIENCE
63
(44)
3. Gender, Class, and Television Viewing: Audience Response to the Ballroom of Romance
63
(25)
Barbara O'Connor
4. `Going to the Pictures': The Female Audience and the Pleasures of Cinema
88
(19)
Helen Byrne
SECTION THREE: NORTHERN IRELAND, ETHNICITY AND THE DOMINANT IDEOLOGY
107
(60)
5. Screening The Message: A Study of Community Relations Broadcasting in Northern Ireland
107
(19)
Paul Nolan
6. Dominant Ideologies and Media Power: The Case of Northern Ireland
126
(20)
David Miller
7. Northern Ireland Audiences and Television News
146
(21)
Raymond Watson
SECTION FOUR: POWER AND THE PUBLIC SPHERE
167
(45)
8. `The Ryan Line is now Open...' Talk Radio and the Public Sphere
167
(24)
Sara O'Sullivan
9. Divorce Referendum Coverage, Programme Formats and Television Audiences
191
(21)
Stephen Ryan
SECTION FIVE: CONSTRUCTING MEDIA AUDIENCES
212
(37)
10. A History of Irish Language Broadcasting: National Ideology, Commercial Interest and Minority Rights
212
(19)
Iarfhlaith Watson
11. The Theatre of Reassurance? Glenroe, Its Audience and the Coverage of Social Problems
231
(18)
Eoin Devereux
SECTION SIX: CHILDREN AND TELEVISION
249
(20)
12. Children and Television Pleasure
249
(20)
Margaret Gunning
Key to Transcription Symbols for Verbatim Quotes
269
(1)
Notes on Contributors
270
(1)
Index
271
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