Modernism and Style

Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is "saturated with style." It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, Remy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Valery, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of "pure" style and rejecting a literature that is "purely" style. Between these two poles, style emerges, in the words of John Middleton Murry, not as "an isolable quality of writing, but as writing itself."

BEN HUTCHINSON is Co-Director of the Centre for Modern European Literature and Director of the Institute for Advanced Studies in the Humanities at the University of Kent, UK. He has published widely on modern European literature, including the monographs Rilke's Poetics of Becoming (2006) and W. G. Sebald. Die dialektische Imagination (2009).

Acknowledgements
Introduction
Philosophical Beginnings
1857: Literary Beginnings
The 'Virus' of Prose: Decadent style and the Modernist Novel
1922: Style and the Modernist Lyric
The 'Alibi' of Style: Modernist Manifestos
Conclusion
Bibliography
Index