Series of dialogues and meditations on the state of contemporary world cinema.
Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing.
Acknowledgments
v
Preface
vi
Jonathan Rosenbaum and Adrian Martin
Notes on Contributors
x
1 Movie Mutations: Letters from (and to) Some Children of 1960
1
(34)
Jonathan Rosenbaum, Adrian Martin, Kent Jones, Alexander Horvath, Nicole Brenez and Raymond Bellour (1997)
2. Open Spaces in Iran: A Conversation with Abbas Kiarostami
35
(9)
Jonathan Rosenbaum (with Mehrnaz Saeed-Vafa) (1998-2001)
3. Here and There: The Films of TsaiMing-liang
44
(8)
Kent Jones (1998-2002)
4. Sampling in Rotterdam
52
(9)
Jonathan Rosenbaum (1998)
5. Two Auteurs: Masumura and Hawks
61
(33)
Shigehiko Hasumi and Jonathan Rosenbaum (1998)
PART ONE - Discovering Yasuzo Masumura: Reflections on Work in Progress
61
(13)
Jonathan Rosenbaum (1999-2001)
PART TWO - Dialogue on Howard Hawks and Yasuzo Masumura
74
(8)
Shigehiko Hasumi and Jonathan Rosenbaum (1999)
PART THREE - Inversion/Exchange/Repetition: The Comedy of Howard Hawks
82
(10)
Shigehiko Hasumi (2000)
PART FOUR - Epilogue
92
(2)
Shigehiko Hasumi and Jonathan Rosenbaum (2002)
6. Musical Mutations: Before, Beyond and Against Hollywood
94
(15)
Adrian Martin (2000-2002)
7. Squaring The Circle
109
(10)
Jonathan Rosenbaum (2000)
8. The Future of Academic Film Study
119
(14)
Adrian Martin and James Naremore (2001-2002)
9. On Four Prosaic Formulas Which Might Summarise Hou's Poetics
133
(8)
Fergus Daly (2001 2002)
10. Movies Go Multinational
141
(9)
Nataša Durovicová and Jonathan Rosenbaum (2001-2002)
11. Circumatlantic Media Migrations
150
(16)
Catherine Benamou and Lucia Saks (2002)
12. Movie Mutations 2: Second Round
166
(23)
Quintin, Mark Peranson, Nicole Brenez, Adrian Martin and Jonathan Rosenbaum (2001-2002)
Index
189
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