Music For Sight Singing

Designed for the "musicianship" portion of the freshman theory sequence, Benjamin/Horvit/Nelson MUSIC FOR SIGHT SINGING, Fifth Edition, presents music that is carefully chosen to challenge--not overwhelm--you.

Common Practice Techniques: Diatonic
Rhythm: One-and-Two-Pulse Units (Unmetered)
Pitch: The Major Scale
Rhythm: Simple Meters
Pitch: Introducing Thirds
Pitch: Introducing Fourths
Pitch: Tonic Triad in the Major Mode
Introducing Fifths, Sixths, and Octaves
Rhythm: 2:1 Subdivisions of the Beat
Pitch: I, V, and V7
Introducing Sevenths
Rhythm: Anacruses (Upbeats) and 4:1 Subdivisions of the Beat
Pitch: I, IV, V, and V
Pitch: Introducing the Alto Clef
Rhythm: Dots and Ties
Pitch: Minor Mode
Music from the Literature
Rhythm: Compound Meter
Pitch: Supertonic Traid
Pitch: Submediant and Mediant Triads
Pitch: Tenor Clef
Rhythm: Triplets and Duplets
Music from the Literature
Rhythm: Syncopation
Pitch: Other Seventh Chords
Common Practice Techniques: Chromatic
Pitch: Decorative Chromaticism
Pitch: Inflected Scale Degrees
Pitch: Scalar Variants in Minor
Pitch: Modal Borrowing
Music from the Literature
Pitch: Secondary Dominants
Pitch: Modulations to Closely Related Keys
Rhythm: Quintuple Meters
Pitch: Chromaticism Implying Altered Chords
Modulation to Distantly Related Keys
Music from the Literature
Twentieth -Century Techniques
Rhythm: Irregular Meters
Pitch: Diatonic Modes
Pitch: Changing Clefs
Part Music
Rhythm: Changing Meters
Pitch: Pandiatonicism
Rhythm: Syncopation Including Irregular and Mixed Meters
Pitch: Extended and Altered Tertian Harmony
Pitch: Exotic Scales
Rhythm: Complex Divisions of the Beat
Pitch: Quartal Harmony
Rhythm: Polyrhythms and Polymeters
Pitch: Polyharmony and Polytonality
Pitch: Interval Music
Serial Music
Music from the Literature
Table of Contents provided by Publisher. All Rights Reserved.

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Music For Sight Singing

Summary

Table of Contents

Supplemental Materials