The New American Poetry, 1945-1960
, by Allen, Donald- ISBN: 9780520209534 | 0520209532
- Cover: Paperback
- Copyright: 7/1/1999
Preface | p. xi |
The Kingfishers | p. 2 |
I, Maximus of Gloucester, to You | p. 8 |
The Songs of Maximus | p. 11 |
Maximus, to himself | p. 14 |
The Death of Europe | p. 16 |
A Newly Discovered 'Homeric' Hymn | p. 22 |
The Lordly and Isolate Satyrs | p. 24 |
As the Dead Prey Upon Us | p. 27 |
Variations Done for Gerald van de Wiele | p. 34 |
The Distances | p. 37 |
The Song of the Borderguard | p. 40 |
An Owl Is an Only Bird of Poetry | p. 41 |
This Place Rumord To Have Been Sodom | p. 44 |
The Dance | p. 46 |
The Question | p. 48 |
A Poem Beginning with a Line by Pindar | p. 49 |
Food for Fire, Food for Thought | p. 57 |
Dream Data | p. 58 |
Beyond the End | p. 60 |
The Hands | p. 61 |
Merritt Parkway | p. 61 |
The Way Through | p. 62 |
The Third Dimension | p. 63 |
Scenes from the Life of the Peppertrees | p. 64 |
The Sharks | p. 66 |
The Five-Day Rain | p. 66 |
Pleasure | p. 67 |
The Goddess | p. 68 |
The Continuity | p. 69 |
The Assistance | p. 69 |
Night Song for Two Mystics | p. 70 |
The Problem | p. 72 |
Sirventes | p. 72 |
The Once-over | p. 75 |
The Encounter | p. 76 |
The Innocence | p. 77 |
The Kind of Act of | p. 77 |
The Immoral Proposition | p. 78 |
A Counterpoint | p. 78 |
The Warning | p. 78 |
The Whip | p. 79 |
A Marriage | p. 79 |
Ballad of the Despairing Husband | p. 80 |
If You | p. 81 |
Just Friends | p. 82 |
The Three Ladies | p. 83 |
The Door | p. 83 |
The Awakening | p. 86 |
The Way | p. 87 |
Father | p. 88 |
A Fete | p. 90 |
Noise grimaced | p. 90 |
B | p. 91 |
Environ s | p. 92 |
Open | p. 93 |
A Gone | p. 94 |
Passages | p. 95 |
Keep me still, for I do not want to dream | p. 95 |
Do it yrself | p. 96 |
The Rick of Green Wood | p. 97 |
Vaquero | p. 98 |
The Hide of My Mother | p. 98 |
Are They Dancing | p. 103 |
The Air of June Sings | p. 104 |
When the Fairies | p. 105 |
A Little Tumescence | p. 107 |
The Switch Blade (or, John's Other Wife) | p. 107 |
Those Troublesome Disguises | p. 108 |
The Distances to the Friend | p. 108 |
Fast Ball | p. 109 |
The Bath | p. 110 |
The Bus Trip | p. 110 |
The Feeding | p. 111 |
Mare Nostrum | p. 111 |
Blue Funk | p. 112 |
I Love My Love | p. 114 |
Advent | p. 118 |
A Canticle to the Waterbirds | p. 118 |
The South Coast | p. 121 |
Feathers or Lead? | p. 123 |
Once and Upon | p. 125 |
Pictures of the Gone World | p. 128 |
A Coney Island of the Mind | p. 130 |
HE | p. 134 |
Poem by the Charles River | p. 138 |
A 4 Part Geometry Lesson | p. 138 |
Poem | p. 139 |
Herons | p. 140 |
Poem | p. 141 |
Imaginary Elegies, I-IV | p. 142 |
Chicago Poem | p. 148 |
After Anacreon | p. 150 |
Musica no. 3 | p. 151 |
Dance with Banderillas | p. 152 |
Moon Is to Blood | p. 152 |
Terror Conduction | p. 154 |
"Man is in pain" | p. 155 |
Morning Light Song | p. 156 |
Still Poem 9 | p. 157 |
This Is What the Watchbird Sings, Who Perches in the Lovetree | p. 158 |
Sanctuary | p. 158 |
Venice Recalled | p. 159 |
Strange | p. 161 |
Some Stories of the Beauty Wapiti | p. 163 |
"Each Found Himself at the End of ..." | p. 165 |
Mexico City Blues: 12 Choruses | p. 168 |
The Shrouded Stranger | p. 178 |
Malest Cornifici Tuo Catullo | p. 179 |
Sunflower Sutra | p. 179 |
A Supermarket in California | p. 181 |
Howl, Parts I and II | p. 182 |
Sather Gate Illumination | p. 190 |
Message | p. 194 |
Kaddish, Parts I, III, IV, V | p. 194 |
Birthplace Revisited | p. 202 |
Poets Hitchhiking on the Highway | p. 202 |
Zizi's Lament | p. 203 |
Uccello | p. 204 |
But I Do Not Need Kindness | p. 205 |
Dialogue -- 2 Dollmakers | p. 206 |
Paranoia in Crete | p. 207 |
A Dreamed Realization | p. 208 |
From Another Room | p. 208 |
Notes After Blacking Out | p. 208 |
Marriage | p. 209 |
Second Poem | p. 213 |
Parachutes, My Love, Could Carry Us Higher | p. 216 |
Sunday Evening | p. 216 |
Santa Fe Trail | p. 217 |
Piazzas | p. 218 |
Salute | p. 220 |
February | p. 220 |
"The Elizabethans Called It Dying" | p. 222 |
Freely Espousing | p. 223 |
A View of Jersey | p. 225 |
The Floor Is Dirty | p. 227 |
Mending Sump | p. 229 |
Fresh Air | p. 229 |
Thank You | p. 236 |
Chez Jane | p. 239 |
For James Dean | p. 239 |
Ode | p. 242 |
Why I Am Not a Painter | p. 243 |
In Memory of My Feelings | p. 244 |
Ode to Joy | p. 250 |
To Hell with It | p. 251 |
Ode: Salute to the French Negro Poets | p. 253 |
Ode to Michael Goldberg ('s Birth and Other Births) | p. 254 |
The Day Lady Died | p. 264 |
You Are Gorgeous and I'm Coming | p. 265 |
Poem | p. 266 |
Poem | p. 267 |
In Favor of One's Time | p. 268 |
Hotel Transylvanie | p. 269 |
A Boy | p. 271 |
The Instruction Manual | p. 272 |
"How Much Longer Will I Be Able To Inhabit the Divine Sepulcher ..." | p. 275 |
Martyrdom of Two Pagans | p. 280 |
2 Variations: All About Love | p. 281 |
Sourdough Mountain Lookout | p. 284 |
Denunciation: or, Unfrock'd Again | p. 289 |
The Same Old Jazz | p. 290 |
Forty-five Years Since the Fall of the Ch'ing Dynasty | p. 292 |
For C | p. 293 |
Take I, 4:II:58 | p. 294 |
A Classic Case | p. 296 |
The Zoo | p. 297 |
Flowers for Luis Bunuel | p. 298 |
The Recluses | p. 299 |
Feasts of Death, Feasts of Love | p. 300 |
Praise for Sick Women | p. 307 |
Riprap | p. 308 |
For a Far-out Friend | p. 309 |
This Tokyo | p. 310 |
Myths and Texts, Part III: Burning | p. 312 |
Leave the Word Alone | p. 323 |
The Breech | p. 334 |
The Rug | p. 335 |
Hymn to St. Geryon, I | p. 335 |
Canticle | p. 339 |
Peyote Poem, Part I | p. 339 |
Ode for Soft Voice | p. 343 |
For Artaud | p. 344 |
The Flowers of Politics, I | p. 349 |
The Flowers of Politics, II | p. 350 |
Poem of Holy Madness, Part IV | p. 352 |
Blood | p. 356 |
In Memory of Radio | p. 357 |
Preface to a Twenty Volume Suicide Note | p. 358 |
Way Out West | p. 358 |
One Night Stand | p. 360 |
To a Publisher ... cut-out | p. 361 |
Ostriches and Grandmothers! | p. 363 |
The Turncoat | p. 364 |
A poem for painters | p. 365 |
A poem for the old man | p. 369 |
A poem for museum goers | p. 371 |
A poem for the insane | p. 373 |
A poem for trapped things | p. 375 |
Pastoral | p. 376 |
Insomniac Poem | p. 376 |
The Thing Made Real | p. 378 |
The Stillness of the Poem | p. 378 |
Mrs. Loewinsohn andc | p. 379 |
My Sons | p. 381 |
Revelation | p. 382 |
12th Raga / for John Wieners | p. 382 |
15th Raga / for Bela Lugosi | p. 383 |
Prayerwheel / 2 | p. 383 |
Statements on Poetics | |
Charles Olson: Projective Verse | p. 386 |
Letter to Elaine Feinstein | p. 397 |
Robert Duncan: Pages from a Notebook | p. 400 |
Robert Creeley: To Define | p. 408 |
Olson and Others: Some Orts for the Sports | p. 408 |
Denise Levertov | p. 411 |
Lawrence Ferlinghetti | p. 412 |
Jack Spicer: Letter to Lorca | p. 413 |
Jack Kerouac | p. 414 |
Allen Ginsberg: Notes for Howl and Other Poems | p. 414 |
James Schuyler: Poet and Painter Overture | p. 418 |
Frank O'Hara | p. 419 |
Philip Whalen | p. 420 |
Gary Snyder | p. 420 |
Michael McClure: From a Journal | p. 421 |
LeRoi Jones: "How You Sound??" | p. 424 |
John Wieners: From a Journal | p. 425 |
Biographical Notes | p. 427 |
Afterword | p. 447 |
A Short Bibliography | p. 451 |
Index (of Authors and Poems) | p. 453 |
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