A New Dictionary of Music

, by
A New Dictionary of Music by Jacobs,Arthur, 9780202361932
Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
  • ISBN: 9780202361932 | 0202361934
  • Cover: Nonspecific Binding
  • Copyright: 5/15/2008

  • Rent

    (Recommended)

    $35.01
     
    Term
    Due
    Price
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.
  • Buy New

    Usually Ships in 3-5 Business Days

    $53.14
  • eBook

    eTextBook from VitalSource Icon

    Available Instantly

    Online: 180 Days

    Downloadable: 180 Days

    $41.46

What is a fugue? What is the difference between a saxophone and a saxhorn? Who besides Puccini wrote an opera called La Boheme? In what year was the National Broadcasting Company Orchestra formed under Arturo Toscaninis direction? These and thousands of similar questions are answered in this comprehensive dictionary that remains unrivaled as a single-volume summary. A New Dictionary of Music is a basic reference work for anyone interested in music, whether performer or layman. It covers orchestral, solo, choral, and chamber music, opera, and (in its musical aspects) the ballet. There are entries for composers (with biographies and details of compositions); works well known by their titles, such as operas and symphonic poems; orchestras, performers and conductors of importance today; musical instruments (including those of the dance and brass bands); and technical terms. English names and terms are used whenever possible, but foreign terms in general use are cross-referenced. Particular importance has been attached to bringing the reader abreast of new musical developments. The composers and musical works chosen were those most likely to be encountered. Where an opera is given an entry, a brief explanation of the title follows. Similarly explication is provided for other works bearing literary or otherwise allusive titles. Among performers and conductors, only the following are included: those who, although dead, continue to be prominent through recorded performances (e.g., Gigli); the highest-ranking international artists of today, plus a very few apparently on the verge of attaining that rank; a few who, though not necessarily at the very head of their profession, are closely associated with composers in bringing out new works, or are conductors in charge of important orchestras.
Loading Icon

Please wait while the item is added to your bag...
Continue Shopping Button
Checkout Button
Loading Icon
Continue Shopping Button