New Philosophies of Film Thinking Images

The relationship between film and philosophy has become a topic of intense intellectual interest. But how should we understand this relationship? Can philosophy renew our understanding of film? Can film challenge or even transform how we understand philosophy? New Philosophies of Film explores these questions in relation to both analytic and Continental philosophies of film, arguing that the best way to overcome the mutual antagonism between these approaches is by constructing a more pluralist film-philosophy grounded in detailed engagement with particular films and filmmakers. Sinnerbrink not only provides lucid critical analyses of the exciting developments and contentious debates in the new philosophies of film, but also showcases how a pluralist film-philosophy works in the case of three challenging contemporary filmmakers: Terrence Malick, David Lynch, and Lars von Trier. New Philosophies of Film thus puts interdisciplinary inquiry on film and philosophy into practice, and should be of great interest to students and researchers working across the disciplines of philosophy, film

Robert Sinnerbrink is Senior Lecturer in Philosophy at Macquarie University, Australia. He is the author of Understanding Hegelianism (Acumen, 2007) and co-editor of Critique Today (Brill, 2006).