This book investigates a new form of fiction that is currently em
Acknowledgements
vii
List of Contributors
viii
Introduction
1
(8)
Alain-Philippe Durand
Naomi Mandel
Part I The Americas
``Right Here in Nowheres'': American Psycho and Violence's Critique
9
(11)
Naomi Mandel
Telling Doubles and Literal-Minded Reading in Bret Easton Ellis's Glamorama
20
(11)
Henrik Skov Nielsen
Posthumous Voice and Residual Presence in Don DeLillo's The Body Artist
31
(10)
Mikko Keskinen
A Post-Apocalyptic World: The Excremental, Abject Female Warriors of Josee Yvon
41
(12)
Paula Ruth Gilbert
Colleen Lester
On the Impossibility of Being Contemporary in Nelly Arcan's Folle
53
(11)
Martine Delvaux
Media-Portrayed Violence in Alberto Fuguet's Tinta roja
64
(13)
Jason Summers
Part II Europe and the Middle East
Sadomasochism, Castration and Rape: Richard Morgieve's Nightmare Theater of Primal Scenes
77
(12)
Ralph Schoolcraft
Dantec's Inferno
89
(11)
Lawrence R. Schehr
Michel Houellebecq: A Fin de Siecle for the Twentieth Century
100
(9)
Sabine van Wesemael
Beyond The Extreme: Frederic Beigbeder's Windows on the World
109
(12)
Alain-Philippe Durand
Amelie Nothomb's Dialectic of the Sublime and the Grotesque
121
(11)
Martine Guyot-Bender
Violence Biting its Own Tail: Martin Amis's Yellow Dog
132
(11)
Jean-Michel Ganteau
Beauty and Death as Simulacra in Ray Loriga's Caidos del cielo and El hombre que invento Manhattan
143
(10)
Kathryn Everly
Sex, Drugs and Violence in Lucia Etxebarria's Amor, curiosidad, Prozac y dudas
153
(10)
Catherine Bourland Ross
On Human Parts: Orly Castel-Bloom and the Israeli Extreme
163
(12)
Adia Mendelson-Maoz
Index
175
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