The Oxford Anthology of English Literature Two-volume edition Volume II: 1800 to the Present
, by Kermode, Frank; Hollander, JohnNote: Supplemental materials are not guaranteed with Rental or Used book purchases.
- ISBN: 9780195016581 | 0195016580
- Cover: Paperback
- Copyright: 4/26/1973
This 4,500-page collection presents the finest literature produced in Great Britain from the Middle Ages through the twentieth century. It has been edited and annotated by six eminent critics and scholars. The editors contribute short period introductions, biographical and critical pieces for major authors, and essays preceding major selections. The Anthology demonstrates the continuity of English literature by selection, allusion, and comparison, and encourages the study of recurrent patterns or themes both within and across periods. For each period, a bibliography, an index, and a glossary of literary and historical terms have been compiled. Almost three hundred illustrations are included to represent important artistic achievements of each period and to show the relationship between images in language and in pictures. Book jacket.
Romantic Poetry | p. 3 |
William Blake | p. 10 |
Poetical Sketches | |
To Spring | p. 14 |
To the Evening Star | p. 15 |
Song | p. 15 |
Mad Song | p. 16 |
To the Muses | p. 17 |
Songs of Innocence and of Experience | p. 17 |
Songs of Innocence | |
Introduction | p. 18 |
The Lamb | p. 19 |
The Little Black Boy | p. 19 |
The Chimney Sweeper | p. 20 |
The Divine Image | p. 21 |
Holy Thursday | p. 22 |
Songs of Experience | |
Introduction | p. 22 |
Earth's Answer | p. 23 |
Holy Thursday | p. 24 |
The Chimney Sweeper | p. 24 |
The Sick Rose | p. 25 |
The Tyger | p. 25 |
Ah! Sun-flower | p. 26 |
London | p. 26 |
The Human Abstract | p. 27 |
To Tirzah | p. 28 |
The Book of Thel | p. 29 |
The Marriage of Heaven and Hell | p. 33 |
Visions of the Daughters of Albion | p. 44 |
America a Prophecy | p. 51 |
Blake's Notebook | |
Never Pain To Tell Thy Love | p. 59 |
To Nobodaddy | p. 60 |
What Is It Men in Women Do Require? | p. 60 |
My Spectre Around Me Night & Day | p. 60 |
Mock on Mock on Voltaire Rousseau | p. 62 |
Morning | p. 63 |
When Klopstock England Defied | p. 63 |
Epigrams | p. 64 |
The Mental Traveller | p. 65 |
The Crystal Cabinet | p. 68 |
Auguries of Innocence | p. 69 |
The Four Zoas | p. 72 |
[Song of Enitharmon] | p. 73 |
[Song of Enion] | p. 74 |
Night the Ninth Being The Last Judgment | p. 75 |
Milton | p. 98 |
Preface | p. 99 |
[Milton's Descent] | p. 100 |
[The World of Los] | p. 106 |
[The Vision of Beulah] | p. 107 |
[Milton's Declaration] | p. 110 |
Jerusalem The Emanation of the Giant Albion | p. 112 |
[The Spectre of Urthona] | p. 113 |
[The Minute Particulars] | p. 114 |
[The Declaration of Los] | p. 115 |
Epilogue from The Gates of Paradise | p. 117 |
[A Vision of the Last Judgment] | p. 117 |
The Letters | |
To Dr. Trusler 23 August 1799 | p. 121 |
To George Cumberland 12 April 1827 | p. 123 |
William Wordsworth | p. 124 |
Lines Written in Early Spring | p. 127 |
Expostulation and Reply | p. 127 |
The Tables Turned | p. 128 |
To My Sister | p. 129 |
The Ruined Cottage | p. 130 |
Home at Grasmere | p. 142 |
"Prospectus" to The Excursion | p. 142 |
Lines Composed a Few Miles Above Tintern Abbey | p. 146 |
Nutting | p. 150 |
[The Lucy Poems] | p. 152 |
Strange Fits of Passion | p. 152 |
She Dwelt Among the Untrodden Ways | p. 153 |
Three Years She Grew in Sun and Shower | p. 153 |
A Slumber Did My Spirit Seal | p. 154 |
I Travelled Among Unknown Men | p. 155 |
Lucy Gray; Or, Solitude | p. 155 |
Michael, A Pastoral Poem | p. 157 |
My Heart Leaps Up | p. 168 |
Resolution and Independence | p. 168 |
Composed upon Westminster Bridge, September 3, 1802 | p. 173 |
It Is a Beauteous Evening | p. 173 |
I Wandered Lonely as a Cloud | p. 174 |
The World Is Too Much with Us | p. 174 |
Ode: Intimations of Immortality from Recollections of Early Childhood | p. 175 |
She Was a Phantom of Delight | p. 182 |
Ode to Duty | p. 182 |
The Solitary Reaper | p. 184 |
Elegiac Stanzas | p. 185 |
The Prelude | p. 187 |
Introduction-Childhood and School-Time | p. 188 |
School-Time | p. 196 |
Summer Vacation | p. 199 |
Books | p. 200 |
Cambridge and the Alps | p. 207 |
Residence in London | p. 211 |
Retrospect | p. 214 |
Residence in France | p. 217 |
France | p. 219 |
Imagination and Taste, How Impaired and Restored | p. 221 |
Conclusion | p. 225 |
Surprised by Joy | p. 229 |
Composed upon an Evening of Extraordinary Splendour and Beauty | p. 230 |
Mutability | p. 232 |
Extempore Effusion upon the Death of James Hogg | p. 232 |
Samuel Taylor Coleridge | p. 233 |
Sonnet: To the River Otter | p. 236 |
The Eolian Harp | p. 236 |
The Rime of the Ancient Mariner | p. 238 |
Kubla Khan | p. 254 |
Christabel | p. 257 |
Frost at Midnight | p. 273 |
Dejection: An Ode | p. 275 |
Phantom | p. 279 |
To William Wordsworth | p. 279 |
On Donne's Poetry | p. 282 |
Limbo | p. 283 |
Ne Plus Ultra | p. 284 |
To Nature | p. 284 |
Epitaph | p. 285 |
George Gordon, Lord Byron | p. 285 |
English Bards and Scotch Reviewers | p. 287 |
Lara | p. 290 |
Stanzas for Music | p. 292 |
Childe Harold's Pilgrimage, A Romaunt | p. 293 |
Canto the Third | p. 293 |
Canto the Fourth | p. 302 |
Prometheus | p. 307 |
Darkness | p. 308 |
Manfred | p. 310 |
'So We'll Go No More A-Roving' | p. 314 |
Don Juan | p. 315 |
Dedication | p. 316 |
Selections from Canto I | p. 320 |
Canto III | p. 355 |
Canto IV | p. 360 |
Canto V | p. 361 |
Canto VII | p. 363 |
Canto IX | p. 365 |
Canto XI | p. 369 |
Stanzas to the Po | p. 372 |
The Vision of Judgment | p. 373 |
On This Day I Complete My Thirty-sixth Year | p. 397 |
Percy Bysshe Shelley | p. 398 |
Alastor, or The Spirit of Solitude | p. 400 |
Hymn to Intellectual Beauty | p. 408 |
Mont Blanc | p. 410 |
Ozymandias | p. 414 |
Julian and Maddalo | p. 415 |
Prometheus Unbound | p. 420 |
Preface | p. 422 |
Selections from Act I | p. 425 |
Act II: scene iv | p. 430 |
Scene v | p. 433 |
Act III: scene i | p. 435 |
Scene ii | p. 437 |
Scene iii | p. 438 |
Act IV | p. 442 |
England in 1819 | p. 446 |
Ode to the West Wind | p. 447 |
To a Skylark | p. 449 |
The Sensitive Plant | p. 452 |
Hymn of Apollo | p. 453 |
The Two Spirits: An Allegory | p. 454 |
Epipsychidion | p. 455 |
[Three Sermons on Free Love] | p. 455 |
[The Annihilation of Love] | p. 456 |
Adonais | p. 458 |
To Night | p. 472 |
Hellas | p. 473 |
With a Guitar, To Jane | p. 474 |
Lines Written in the Bay of Lerici | p. 477 |
The Triumph of Life | p. 478 |
John Keats | p. 493 |
On First Looking into Chapman's Homer | p. 495 |
On the Grasshopper and Cricket | p. 496 |
Sleep and Poetry | p. 496 |
On the Sea | p. 500 |
In Drear-Nighted December | p. 501 |
Epistle to John Hamilton Reynolds | p. 502 |
When I Have Fears | p. 503 |
Fragment of an Ode to Maia | p. 503 |
Hyperion. A Fragment | p. 504 |
The Eve of St. Agnes | p. 524 |
La Belle Dame Sans Merci | p. 535 |
On the Sonnet | p. 536 |
Ode to Psyche | p. 537 |
Ode to a Nightingale | p. 538 |
Ode on a Grecian Urn | p. 541 |
Ode on Melancholy | p. 542 |
The Fall of Hyperion. A Dream | p. 543 |
To Autumn | p. 556 |
To-[Fanny Brawne] | p. 557 |
Bright Star | p. 558 |
This Living Hand | p. 559 |
Other Romantic Poets | p. 559 |
William Lisle Bowles | p. 562 |
To the River Itchin, Near Winton | p. 562 |
Sir Walter Scott | p. 562 |
The Dreary Change | p. 562 |
'Proud Maisie' | p. 563 |
The Song of the Reim-kennar | p. 563 |
Walter Savage Landor | p. 565 |
'Lately Our Poets' | p. 565 |
[Rose Alymer, 1779-1800] | p. 565 |
Dirce | p. 565 |
On His Seventy-fifth Birthday | p. 565 |
Death Stands Above Me | p. 566 |
Poem | p. 566 |
Autumnal Song | p. 566 |
Memory | p. 566 |
To Wordsworth | p. 567 |
To George and Georgiana Keats (Feb. 14-May 3, 1819) | p. 780 |
To George and Georgiana Keats (Sept. 21, 1819) | p. 784 |
To Percy Bysshe Shelley (Aug. 16, 1820) | p. 784 |
To Charles Brown (Nov. 30, 1820) | p. 786 |
Victorian Prose | p. 789 |
Thomas Carlyle | p. 799 |
Sartor Resartus | p. 802 |
The Everlasting No | p. 804 |
The Everlasting Yea | p. 809 |
Natural Supernaturalism | p. 817 |
On Heroes, Hero-Worship, and the Heroic in History | |
The Hero as Poet [Shakespeare] | p. 824 |
Past and Present | p. 838 |
Labour | p. 839 |
Reward | p. 843 |
Democracy | p. 849 |
John Stuart Mill | p. 858 |
What Is Poetry? | p. 861 |
On Liberty | |
Of Individuality | p. 869 |
On the Subjection of Women | |
On the Equality of the Sexes | p. 882 |
Autobiography | |
A Crisis in My Mental History | p. 885 |
John Henry Cardinal Newman | p. 894 |
The Tamworth Reading Room | |
Secular Knowledge Not a Principle of Action | p. 898 |
Discourses to Mixed Congregations | |
Faith and Private Judgment | p. 902 |
The Idea of a University | |
Knowledge Viewed in Relation to Professional Skill | p. 912 |
Apologia Pro Vita Sua | p. 917 |
Position of My Mind Since 1845 | p. 918 |
Liberalism | p. 937 |
John Ruskin | p. 940 |
Modern Painters | |
Of the Real Nature of Greatness of Style | p. 944 |
The Stones of Venice | |
The Nature of Gothic | p. 960 |
Unto This Last | |
The Roots of Honour | p. 975 |
Matthew Arnold | p. 986 |
First Edition of Poems, Preface | p. 991 |
The Function of Criticism at the Present Time | p. 1002 |
The Study of Poetry | p. 1019 |
Literature and Science | p. 1040 |
T. H. Huxley | p. 1055 |
On the Physical Basis of Life | p. 1058 |
William Morris | p. 1073 |
The Beauty of Life | p. 1076 |
Walter Pater | p. 1097 |
The Renaissance | p. 1099 |
Romanticism | p. 1106 |
Samuel Butler | p. 1117 |
Erewhon | |
Birth Formulae | p. 1119 |
The World of the Unborn | p. 1122 |
Oscar Wilde | p. 1126 |
The Importance of Being Earnest | p. 1129 |
Victorian Poetry | p. 1177 |
Alfred, Lord Tennyson | p. 1180 |
Mariana | p. 1182 |
The Kraken | p. 1184 |
The Lady of Shalott | p. 1184 |
The Hesperides | p. 1189 |
The Lotos-Eaters | p. 1192 |
The Eagle | p. 1196 |
St. Simeon Stylites | p. 1197 |
Ulysses | p. 1202 |
Tithonus | p. 1204 |
Morte d'Arthur | p. 1206 |
Locksley Hall | p. 1213 |
The Vision of Sin | p. 1219 |
Songs from The Princess | |
The Splendour Falls | p. 1224 |
Tears, Idle Tears | p. 1225 |
Come Down, O Maid | p. 1225 |
In Memoriam A.H.H. | p. 1226 |
Prologue | |
Epilogue | |
Maud: A Monodrama | |
Come into the Garden, Maud | p. 1253 |
O that 'twere possible | p. 1255 |
Dead, long dead | p. 1255 |
My life has crept so long on a broken wing | p. 1256 |
Idylls of the King | |
[Vivien's Song] | p. 1258 |
[Percivale's Quest] | p. 1259 |
Lucretius | p. 1265 |
To Virgil | p. 1272 |
Merlin and The Gleam | p. 1273 |
Crossing the Bar | p. 1277 |
Robert Browning | p. 1278 |
Pauline | |
A Fragment of a Confession | p. 1280 |
Johannes Agricola in Meditation | p. 1284 |
Soliloquy of the Spanish Cloister | p. 1286 |
My Last Duchess | p. 1288 |
The Bishop Orders His Tomb at Saint Praxed's Church | p. 1289 |
Love Among the Ruins | p. 1293 |
Fra Lippo Lippi | p. 1295 |
A Toccata of Galuppi's | p. 1304 |
By the Fire-side | p. 1306 |
'Childe Roland to the Dark Tower Came' | p. 1314 |
How It Strikes a Contemporary | p. 1320 |
Master Hugues of Saxe-Gotha | p. 1323 |
Memorabilia | p. 1328 |
Andrea del Sarto | p. 1328 |
Cleon | p. 1335 |
Popularity | p. 1343 |
The Heretic's Tragedy | p. 1345 |
Two in the Campagna | p. 1349 |
Abt Vogler | p. 1351 |
Caliban upon Setebos | p. 1354 |
Thamuris Marching | p. 1361 |
Asolando: Prologue | p. 1363 |
Bad Dreams III | p. 1364 |
Matthew Arnold | p. 1365 |
The Strayed Reveller | p. 1366 |
To Marguerite-Continued | p. 1374 |
Courage | p. 1375 |
Empedocles on Etna [Song of Callicles] | p. 1376 |
Memorial Verses | p. 1377 |
Dover Beach | p. 1379 |
The Buried Life | p. 1381 |
Stanzas from the Grande Chartreuse | p. 1383 |
The Scholar-Gipsy | p. 1389 |
Philomela | p. 1396 |
Palladium | p. 1397 |
Growing Old | p. 1398 |
The Last Word | p. 1399 |
Bacchanalia; or, The New Age | p. 1399 |
The Pre-Raphaelite Poets | p. 1401 |
Dante Gabriel Rossetti | |
The Blessed Damozel | p. 1406 |
The Woodspurge | p. 1409 |
Sestina (after Dante) | p. 1410 |
Sudden Light | p. 1411 |
The Sea-Limits | p. 1411 |
The House of Life: A Sonnet Sequence | p. 1412 |
Willowwood (Sonnets XLIX-LII) | p. 1412 |
Ardour and Memory | p. 1414 |
Autumn Idleness | p. 1415 |
Body's Beauty | p. 1415 |
Barren Spring | p. 1416 |
A Superscription | p. 1416 |
The One Hope | p. 1417 |
The Orchard-Pit | p. 1417 |
George Meredith | |
Love in the Valley | p. 1418 |
Modern Love | |
I (By this he knew she wept with waking eyes) | p. 1423 |
XLVII (We saw the swallows gathering in the sky) | p. 1423 |
XLVIII (Their sense is with their senses all mixed in) | p. 1424 |
XLIX (He found her by the Ocean's moaning verge) | p. 1424 |
L (Thus piteously Love closed what he begat) | p. 1424 |
A Ballad of Past Meridian | p. 1425 |
Lucifer in Starlight | p. 1425 |
Christina Rossetti | |
Song (When I am dead, my dearest) | p. 1426 |
Rest | p. 1426 |
Modern British Literature | p. 1511 |
Thomas Hardy | p. 1521 |
Hap | p. 1522 |
Neutral Tones | p. 1523 |
The Subalterns | p. 1523 |
The Darkling Thrush | p. 1524 |
In Tenebris (I) | p. 1525 |
In Tenebris (III) | p. 1526 |
The Schreckhorn | p. 1527 |
The Dynasts [Chorus on the Eve of Waterloo] | p. 1527 |
The Convergence of the Twain | p. 1529 |
Wessex Heights | p. 1530 |
'I Found Her Out There' | p. 1531 |
The Voice | p. 1532 |
Channel Firing | p. 1533 |
The Oxen | p. 1534 |
During Wind and Rain | p. 1534 |
In Time of 'The Breaking of Nations' | p. 1535 |
Moments of Vision | p. 1535 |
Afterwards | p. 1536 |
'And There Was a Great Calm' | p. 1537 |
Snow in the Suburbs | p. 1538 |
Bernard Shaw | p. 1539 |
Saint Joan | p. 1542 |
Joseph Conrad | p. 1613 |
Heart of Darkness | p. 1616 |
William Butler Yeats | p. 1679 |
The Sorrow of Love (1892) | p. 1683 |
The Sorrow of Love (1927) | p. 1684 |
The Two Trees | p. 1684 |
Adam's Curse | p. 1686 |
No Second Troy | p. 1687 |
A Drinking Song | p. 1688 |
To a Friend Whose Work Has Come to Nothing | p. 1688 |
The Cold Heaven | p. 1689 |
The Magi | p. 1689 |
In Memory of Major Robert Gregory | p. 1689 |
The Scholars | p. 1693 |
A Thought from Propertius | p. 1694 |
A Deep-Sworn Vow | p. 1694 |
Michael Robartes and the Dancer | p. 1694 |
Easter 1916 | p. 1696 |
On a Political Prisoner | p. 1698 |
The Second Coming | p. 1699 |
Sailing to Byzantium | p. 1701 |
Ancestral Houses | p. 1702 |
Two Songs from a Play | p. 1703 |
Leda and the Swan | p. 1704 |
Among School Children | p. 1705 |
In Memory of Eva Gore-Booth and Con Markiewicz | p. 1708 |
Coole Park, 1929 | p. 1709 |
Byzantium | p. 1710 |
Crazy Jane Talks with the Bishop | p. 1712 |
After Long Silence | p. 1713 |
A Last Confession | p. 1713 |
Meru | p. 1714 |
Lapis Lazuli | p. 1714 |
The Statues | p. 1716 |
John Kinsella's Lament for Mrs. Mary Moore | p. 1718 |
The Circus Animals' Desertion | p. 1719 |
Cuchulain Comforted | p. 1720 |
Autobiographies | p. 1721 |
The Trembling of the Veil: III | |
Hodos Chameliontos | p. 1723 |
The Trembling of the Veil: IV | |
The Tragic Generation | p. 1728 |
James Joyce | p. 1735 |
Dubliners | |
The Dead | p. 1739 |
A Portrait of the Artist as a Young Man | |
[Stephen's Epiphany] | p. 1769 |
[Stephen's Poem] | p. 1774 |
Ulysses | |
[Nausicaa] | p. 1781 |
Finnegans Wake | p. 1811 |
D. H. Lawrence | p. 1816 |
The Prussian Officer | p. 1819 |
St. Mawr | p. 1834 |
Poems | p. 1940 |
Piano | p. 1941 |
River Roses | p. 1942 |
Medlars and Sorb-Apples | p. 1942 |
Bat | p. 1944 |
Snake | p. 1945 |
Tortoise Shell | p. 1947 |
Figs | p. 1948 |
Letter to a Wound | p. 2095 |
Paysage Moralise | p. 2097 |
Lullaby | p. 2098 |
Song (As I walked out one evening) | p. 2099 |
In Memory of Sigmund Freud | p. 2101 |
In Memory of W. B. Yeats | p. 2104 |
For the Time Being | p. 2106 |
In Praise of Limestone | p. 2107 |
The Fall of Rome | p. 2110 |
The Proof | p. 2111 |
Marginalia | p. 2111 |
Louis Macneice | p. 2113 |
Bagpipe Music | p. 2113 |
Whit Monday | p. 2114 |
Stephen Spender | p. 2115 |
I Think Continually of Those Who Were Truly Great | p. 2115 |
Ultima Ratio Regum | p. 2116 |
Edith Sitwell | p. 2117 |
Hornpipe | p. 2117 |
William Empson | p. 2118 |
This Last Pain | p. 2119 |
Villanelle | p. 2120 |
Missing Dates | p. 2121 |
Dylan Thomas | p. 2121 |
When, Like a Running Grave | p. 2122 |
Sonnet | p. 2124 |
After the Funeral | p. 2124 |
A Refusal To Mourn the Death, by Fire, of a Child in London | p. 2125 |
Fern Hill | p. 2126 |
'Do Not Go Gentle into That Good Night' | p. 2127 |
E. M. Forster | p. 2128 |
What I Believe | p. 2131 |
John Betjeman | p. 2138 |
In Westminster Abbey | p. 2138 |
George Orwell | p. 2140 |
England Your England | p. 2141 |
Samuel Beckett | p. 2160 |
Watt [The Incident of the Galls, Father and Son] | p. 2162 |
English Literary History in Process | p. 2168 |
Basil Bunting | p. 2168 |
Briggsflatts (Part V) | p. 2169 |
Coda | p. 2170 |
Stevie Smith | p. 2171 |
Not Waving but Drowning | p. 2171 |
John Heath-Stubbs | p. 2171 |
The Dark Planet | p. 2172 |
Philip Larkin | p. 2373 |
Church Going | p. 2174 |
Lines on a Young Lady's Photograph Album | p. 2175 |
Donald Davie | p. 2176 |
A Winter Talent | p. 2177 |
Gardens No Emblems | p. 2177 |
Kingsley Amis | p. 2178 |
A Dream of Fair Women | p. 2178 |
Thom Gunn | p. 2179 |
On the Move | p. 2180 |
Charles Tomlinson | p. 2181 |
Through Binoculars | p. 2181 |
Ted Hughes | p. 2182 |
Pibroch | p. 2182 |
A Childish Prank | p. 2183 |
Geoffrey Hill | p. 2183 |
Genesis | p. 2184 |
Glossary | p. 2189 |
Suggestions for Further Reading | |
Romantic | p. 2203 |
Victorian | p. 2208 |
Modern | p. 2215 |
Indexes | |
Authors and Titles | p. 2227 |
First Lines of Poems | p. 2233 |
Table of Contents provided by Ingram. All Rights Reserved. |
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