Performance and Cultural Politics

Performance and Cultural Politicsgathers together some of the foremost scholars of performance studies to examine the historical and cultural territories of performance. "Culture" in the twentieth century, says ethnographer James Clifford, "is no longer an object to be described, neither is it a unified corpus of symbols and meanings that can be definitively interpreted. Culture is contested, temporal, emergent." The essays in this volume explore performance--encompassing theater, performance art, dance, and music--as a vital component of this hybrid, contested culture. The contributors to this landmark volume foucs on topics varying from Oscar Wilde to Eric Clapton; the Rose Theatre to the U.S. holocaust museums. They provide new interpretations of performance and its relation to issues of history, memory, mourning, racism, homophobia, and performativity. Performance artist Robbie McCauley concludes with a practitioner's perspective on art-making and politics whichoffers fresh insights into questions raised by other essays. Performance and Cultural Politicsis interdisciplinary, thought-provoking, and rich in new ideas. It is essential reading for students and scholars of performance. Contributors: Emily Apter, Herbert Blau, Ed Cohen, Lynda Hart, Peggy Phelan, Vivian Patraka, Philip Auslander, Susan Foster, Rebecca Schneider, Glenda Dicker/sun, Joseph Roach, Amy Robinson, Robbie McCauley.