Music is omnipresent in human society, but its language can no longer be re
Andrew Leyshon, PhD, Reader in Geography, University of Bristol, UK David Matless, PhD, Lecturer in Geography, University of Nottingham, UK and George Revill, PhD, Lecturer in Geography, Oxford Brookes University, UK
Preface
Introduction
The Global Music Industry: Contradictions in the Commodification of the Sublime
The Early Days of the Gramophone Industry in India: Historical, Social, and Musical Perspectives
Welcome to Dreamsville: A History and Geography of Northern Soul
Victorian Brass Bands: Class, Taste, and Space
Locating Listening: Technological Space, Popular Music, and Canadian Mediations
Borderlines: Bilingual Terrain in Scottish Song
England's Glory: Sensibilities of Place in English Music, 1900-1950
Samuel Coleridge-Taylor's Geography of Disappointment: Hybridity, Identity, and Networks of Musical Meaning
Global Undergrounds: The Cultural Politics of Sound and Light in Los Angeles, 1965-1975
From "Dust Storm Disaster" to "Pastures of Plenty": Woody Guthrie and the Landscapes of the American Depression
Sounding Out the City: Music and the Sensuous Production of Place
Desire, Power, and the Sonoric Landscape: Early Modernism and the Politics of Musical Privacy
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