Polynesian Sound-Producing Instruments

Despite its vastness, Polynesia, the last major region of the Pacific Ocean to be colonised, contains cultures and languages which are relatively homogenous. Two subgroups, Eastern and Western Polynesia, share not only social structure and beliefs about the supernatural world, but also, in some instances, types of instruments used for musical and signalling purposes. This book introduces the variety of Polynesian instruments, from the familiar slit drums and skin drums to the less common nose-flutes, uniquely constructed mouth flutes and disposable jew's harps. The range of instruments now obsolete is also examined. Whether they are used to accompany dancing, for signalling, to represent divine voices, for private communication or for entertainment, sound-producing instruments are an integral and dynamic part of Polynesian culture. About the author Richard Moyle has spent a total of four years engaged in ethnomusicological fieldwork in Polynesia and a further four years living with Aboriginal groups in central Australia studying music and ritual; this resulted in two books. He has taught ethnomusicology at the University of Hawaii and is currently lecturer in ethnomusicology at the University of Auckland