Popular Film Culture in Fascist Italy
, by Hay, James- ISBN: 9780253204325 | 0253204321
- Cover: Paperback
- Copyright: 6/1/1987
Acknowledgments | |
Preface: Grandfather Fascism and Amarcord | |
Introduction | |
The Production of Popular Film Culture in Fascist Italy | |
Film Culture and -Film Literacy+ | |
Ideology and Image | |
Film Narrative as Social Ritual | |
The Nature of Consensus through Popular Film | |
Methodology: Charting a National-Popular Film Culture | |
Castelli in aria: The Myth of the Grand Hotel | |
The Grand Hotel as Revolving Door to the -Bel Mondo+ | |
Rotaie: Romance along the Highway | |
Il Signorino Gianni and Il Signor Max | |
Working the Grand Hotels | |
Italy as Grand Hotel | |
Fascism and the Mood of the Grand Hotel | |
The Epochalist Impulse in 1930s Italian Cinema | |
-Cose dell+altro mondo+: American Images in Fascist Italy | |
Gradisca -Gets Her Gary Cooper+ | |
American Movies in Italy and the Formation of Cultural Policy | |
American Cinema in Italy and Media Imperialism | |
The Diversity of the -Dominant+ Idelogy | |
Decoding American Films in Italy and the Role of the Audience | |
Translating the American Dream(s)AdvertisingDubbing and DeletingAmerican Roles and Stereotypes in Italian FilmsAmerican News/Italian NewsreelThe Critic+s Translation | |
Conclusions | |
Grandi Magazzini: Stracitta and the Department Store as Temple of Consumer Culture | |
The Modern Myths | |
Corporativism and the Myth of the Department Store | |
Urban Culture as Popular Culture: A New Image for the Italian City | |
The New Woman: Lost and Found in the CityConclusions | |
Terra madre and the Myth of Strapaese | |
Stracitta and Strapaese | |
The Rhetoric of Strapaese in the Films of Alessandro BlasettiTerra madre: A Return to the Land | |
The Rural-Urban Conflict in 1930s Films | |
Treno popolare: The Realism of Rural Romance | |
Rural Culture and Popular Culture | |
Historical Films and the Myth of Divine Origins | |
The Legacy in (and of) Italian Historical Films | |
Scipione and the Grandeur of Ancient Rome | |
Condottieri and the Myth of Chivalry | |
1860 and the Italian Risorgimento | |
Napoli d+altri tempi: The Birth of a National-Popular Anthem | |
The Authority of Historical Films | |
Italian Colonial Films and the Myth of the Impero | |
Impero and ImperialismIl grande appello: Oedipus in the Desert | |
Lo squadrone bianco and the Retribution of Desert Life | |
Sotto la croce del sud: Taming Mysterious Territories and Dangerous Women | |
Charting the Wilderness: Africa as Cinematic Frontier | |
LUCE/Cinema/shadows | |
The Centralization of Italian Cinema | |
Documenting a National Spirit | |
Current Events as Spectacle | |
Mussolini as DivoConclusions | |
Whose Fascism? | |
Political Action in an Illusory Universe | |
Politics in Cinema and Cinema in Politics | |
+Cultura popolare+ and the Nation | |
Fascism as Meta-Community through Meta-Communication | |
Cultural Policy | |
The Passing of the Rex | |
Appendixes | |
Number of Motion Picture Theaters in Italy 1928-1937 | |
Number of Italian Films Produced between 1920 and 1940 | |
Percent of American Films Shown in Italy between 1920 and 1940 | |
Number of Theaters in Each Province in 1929 | |
Notes | |
Bibliography | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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