Post-Jazz Poetics A Social History

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social Historyexamines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-based compositional devices represent a new strand of radical black poetics, while their renditions of local-to-global social critique sketch the outlines of a transnational feminism.

Franz Kurowski, who served as a journalist with the German Army in World War II, has written numerous books about the war. His other works include Jump into Hell, Panzer Aces, Panzers Aces II, Panzer Aces III, Panzer-grenadier Aces, Infantry Aces, Luftwaffe Aces, and The Brandenburger Commandos.
Jennifer D. Ryan is Assistant Professor of English at Buffalo State College. She has published essays in Modern Fiction Studies, Feminist Teacher, Women and Performance, and The Geographical Imagination of Annie Proulx: Rethinking Regionalism. Her next project is a study of emerging revisionist trends in biographical criticism of the Confessional poets.

Introduction: How Do I Make That Sound? A New Feminist Poetics * Finding Her Voice: The Body Politics of Sherley Anne Williams’s Blues * Nationhood Re-formed: Revolutionary Style and Practice in Sonia Sanchez’s Jazz Poetics * Talk to Me: Ecofeminist Disruptions in the Jazz Poetry of Jayne Cortez * Shape Shifting: The Urban Geographies of Wanda Coleman’s Jazz Poetry * Jazz’s Word for It: Harryette Mullen and the Politics of Intellectualism * Conclusion: “Too Many Books For Our Eyes”: Future Politics, Future Poetries