The Ideological, the Mnemonic, the Parodic, and the Media
p. 19
The Player's Parody of Hollywood: A Different Kind of Suture
p. 21
Intertextual Maneuvers around the Subaltern: Aladdin as a Postmodern Text
p. 45
Of Mice and Bart: The Simpsons and the Postmodern
p. 61
Reification and Loss in Postmodern Puberty: The Cultural Logic of Fredric Jameson and American Youth Movies
p. 73
Issues of Cross-Cultural Identity and National Cinemas
p. 91
Refiguring Pleasure: Itami and the Postmodern Japanese Film
p. 93
De-Authorizing the Auteur: Postmodern Politics of Interpellation in Contemporary European Cinema
p. 113
Postmodernist Condition in Post-Socialist Eastern European Films: The Case of a Political Pastiche and the Socialist-Hollywood Thriller in Recent Films of Polish Filmmakers
p. 131
Postmodernism as Tourism, (Post)History, and Colonization
p. 145
E. M. Forster's Anti-Touristic Tourism and the Sightseeing Gaze of Cinema
p. 147
Imaginary Geographies: The Colonial Subject in Contemporary French Cinema
p. 167
Decapitated Spectators: Barton Fink, (Post)history, and Cinematic Pleasure
p. 187
Auteurial Presences
p. 208
Something Like Autobiography in Akira Kurosawa's Dreams
p. 211
Not Waving but Drowning by Numbers: Peter Greenaway's Cautionary Tale
p. 219
A Double Voice: The Dual Paternity of Querelle
p. 231
Notes on the Contributors
p. 260
Index
p. 262
Table of Contents provided by Blackwell. All Rights Reserved.
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