Postnational Musical Identities Cultural

The interdisciplinary essays gathered in this volume explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. Focusing on the Americas, they cast a new light on the role of music production, distribution, and consumption beyond the traditional paradigms of musical discourse.

Postnational Perspectives in Music Scholarship
Introduction: The Postnational Turn in Music Scholarship and Music Marketing	p. 3
Nationalist and Postnationalist Perspectives in American Musicology	p. 23
Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967	p. 45
A Transnational Caribbean
The Miamization of Latin-American Pop Music	p. 65
Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry	p. 81
Across the U.S.-Mexico Border
Ideology, Flux, and Identity in Tijuana's Nor-tec Music	p. 99
Quest for the Local: Building Musical Ties between Mexico and the United States	p. 119
Assimilation, Reclamation, and Rejection of the Nation-State Chicano Musicians	p. 137
RockIn' la Frontera: Mexican Rock, Globalization, and National Identity	p. 151
South-American Connections
Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the Twentieth Century	p. 173
The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity	p. 185
Transnational Soundscapes:Ambient Music and Bossatronica	p. 209
Selected Discography	p. 219
Selected Bibliography	p. 221
Index	p. 229
Notes on Contributors	p. 237
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Postnational Musical Identities Cultural Production, Distribution, and Consumption in a Globalized Scenario

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