Please seeI. A. Richards(ISBN: 0415217318) for details or email info@routledge-ny.com.
Editorial Introduction
vii
Principles of Literary Criticism
Preface
3
(4)
The Chaos of Critical Theories
7
(5)
The Phantom Aesthetic State
12
(7)
The Language of Criticism
19
(6)
Communication and the Artist
25
(8)
The Critics' Concern with Value
33
(4)
Value as an Ultimate Idea
37
(5)
A Psychological Theory of Value
42
(12)
Art and Morals
54
(4)
Actual and Possible Misapprehensions
58
(7)
Poetry for Poetry's Sake
65
(8)
A Sketch for a Psychology
73
(9)
Pleasure
82
(6)
Emotion and the Coenesthesia
88
(5)
Memory
93
(3)
Attitudes
96
(6)
The Analysis of a Poem
102
(17)
Rhythm and Metre
119
(11)
On Looking at a Picture
130
(12)
Sculpture and the Construction Form
142
(6)
The Impasse of Musical Theory
148
(6)
A Theory of Communication
154
(5)
The Availability of the Poet's Experience
159
(5)
Tolstoy's Infection Theory
164
(4)
The Normality of the Artist
168
(8)
Badness in Poetry
176
(7)
Judgement and Divergent Readings
183
(3)
Levels of Response and the Width of Appeal
186
(4)
The Allusiveness of Modern Poetry
190
(5)
Permanence as a Criterion
195
(3)
The Definition of a Poem
198
(5)
Art, Play, and Civilization
203
(9)
The Imagination
212
(12)
Truth and Revelation Theories
224
(6)
The Two Uses of Language
230
(10)
Poetry and Beliefs
240
(15)
Appendix A. On Value
255
(2)
Appendix B. On Mr Eliot's Poetry
257
(6)
Index (For definitions of terms used in special senses the Index may be consulted.)
263
(3)
Editorial Appendix 1. Preface to the Second Edition
266
(1)
Editorial Appendix 2. Analytical Contents
267
(6)
Editorial Appendix 3. Science and Poetry, 1926
273
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