Public Art, Memorials and Atlantic Slavery

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ISBN: 9780415483155 | 0415483158
Cover: Hardcover
Copyright: 3/13/2009

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Distinguished American and European scholars, curators and artists discuss the issues concerning the representation and commemoration of slavery, as brought into sharp focus by the 2007 bicentennial of the abolition of the slave trade.

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Notes on Contributors	p. vii
Public Art, Artefacts and Atlantic Slavery: Introduction	p. 1
Museums, Public Art and Artefacts
Atlantic Slavery and Traumatic Representation in Museums: The National Great Blacks in Wax Museum as a Test Case	p. 18
'Am I Not a Man and a Brother?' Phrenology and Anti-slavery	p. 39
Remembering Slavery in Birmingham: Sculpture, Paintings and Installations	p. 54
'Speculation and the Imagination': History, Storytelling and the Body in Godfried Donkor's 'Financial Times' (2007)	p. 67
Doing Good While Doing Well: The Decision to Manufacture Products that Supported the Abolition of the Slave Trade and Slavery in Great Britain	p. 82
Sally Hemings in Visual Culture: A Radical Act of the Imagination?	p. 95
Memory, Slavery and Commemoration
Interspatialism in the Nineteenth-century South: The Natchez of Henry Norman	p. 110
'A Limited Sort of Property': History, Memory and the Slave Ship Zong	p. 127
Other Peoples' History: Slavery, Refuge and Irish Citizenship in Dónal O Kelly's The Cambria	p. 140
Facing Slavery's Past: The Bicentenary of the Abolition of the British Slave Trade	p. 153
Index	p. 164
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Public Art, Memorials and Atlantic Slavery

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Public Art, Memorials and Atlantic Slavery

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