The Renaissance Studies in Art and Poetry

Published to equal parts scandal and acclaim in 1873, The Renaissance inspired a generation of Oxford undergraduates, who adopted its credo of "art for art's sake" for their Aesthetic Movement. Combining the skepticism of empirical philosophy, the materialism of nineteenth-century science, and the determinism of evolutionary theory, this book defies categorization and endures as an innovative example of cultural criticism.

Preface	1	(5)
Two Early French Stories	6	(18)
Pico della Mirandola	24	(13)
Sandro Botticelli	37	(8)
Luca della Robbia	45	(6)
The Poetry of Michelangelo	51	(16)
Leonardo da Vinci	67	(20)
The School of Giorgione	87	(16)
Joachim du Bellay	103	(14)
Winckelmann	117	(35)
Conclusion	152

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The Renaissance Studies in Art and Poetry

Summary

Table of Contents

Supplemental Materials