REVEL for Writing Today Plus The Writer's Handbook -- Access Code Card
, by Johnson-Sheehan, Richard; Paine, Charles- ISBN: 9780135238790 | 013523879X
- Cover: Nonspecific Binding
- Copyright: 8/1/2018
For courses in English Composition.
Practical writing skills for composing in the real world
Revel™ Writing Today is an accessible book that fits the way people today read and learn. Its chunked writing style; eye-catching design; and focus on writing genres, strategies, and processes set you up for success in your college courses, your career, and your civic life.
The 4th Edition marks a turning point in this highly successful series. Authors Richard Johnson-Sheehan and Charles Paine have made reflection — or discovering why we think the way we do — one of the central concepts of the revision. As you explore this, you’ll become intellectually stronger, more aware, more versatile, and more resilient.
Revel is Pearson’s newest way of delivering our respected content. Fully digital and highly engaging, Revel replaces the textbook and gives students everything they need for the course. Informed by extensive research on how people read, think, and learn, Revel is an interactive learning environment that enables students to read, practice, and study in one continuous experience — for less than the cost of a traditional textbook.
This product is a part of the Revel Plus One program and includes access to Johnson-Sheehan/Paine, Writing Today and Faigley, The Writer’s Handbook within a single Revel course.
NOTE: Revel is a fully digital delivery of Pearson content. This ISBN is for the standalone Revel access card. In addition to this access card, you will need a course invite link, provided by your instructor, to register for and use Revel.
Richard Johnson-Sheehan is a Professor of Rhetoric and Composition at Purdue University. There, he has directed the Introductory Composition program and served as the Director of the Purdue Writing Lab and the Purdue OWL. He teaches a variety of courses in composition, professional writing, medical writing, environmental writing, and writing program administration, as well as classical rhetoric and the rhetoric of science. He has also published widely in these areas.
Johnson-Sheehan’s books on writing include Argument Today, coauthored by Charles Paine; Technical Communication Today, now in its fifth edition; and Writing Proposals, now in its second edition. He was awarded the 2008 Fellow of the Association of Teachers of Technical Writing. In 2017, he was awarded the J.R. Gould Award for Excellence in Teaching by the Society for Technical Communication.
Charles Paine is a Professor of English at the University of New Mexico, where he directs the Core Writing and the Rhetoric and Writing programs. He teaches first-year composition and courses in writing pedagogy, the history of rhetoric and composition, and many other areas. His published books span a variety of topics in rhetoric and composition, including The Resistant Writer (a history of composition studies), Teaching with Student Texts (a coedited collection of essays on teaching writing), and Argument Today (an argument-based textbook).
An active member of the Council of Writing Program Administrators (WPA), he has served on its Executive Board and as coleader of the WPA Summer Conference Workshop. He cofounded and coordinates the Consortium for the Study of Writing in College, a joint effort of the National Survey of Student Engagement and the Council of Writing Program Administrators. The Consortium conducts general research into the ways that undergraduate writing can lead to enhanced learning, engagement, and other gains related to student success.
Preface
About the Authors
PART 1: GETTING STARTED
1. Writing and Genres
What Are Genres?
Using Genres to Write Successfully
Genres in Movies
Writing with Genres
Genres and the Writing Process
Using a Writing Process
Using Genre as a Guiding Concept
Transfer: Using Genres in College and in Your Career
Quick Start Guide
Activities for Genres
Talk About This
Try This Out
Write This
2. Topic, Angle, Purpose
Topic: What Am I Writing About?
Angle: What Is New About the Topic?
What Has Changed That Makes This Topic Interesting Right Now?
What Unique Experiences, Expertise, or Knowledge Do I Have About This Topic?
Purpose: What Do I Want to Accomplish?
Are You Informing or Persuading?
Thesis Statement (Main Claim)
Choosing the Appropriate Genre
Quick Start Guide
Activities for Topic, Angle, Purpose
Talk About This
Try This Out
Write This
3. Readers, Contexts, and Rhetorical Situations
Profiling Readers
A Brief Reader Profile
An Extended Reader Profile
Using a Reader Analysis Worksheet
Analyzing the Context
Place
Medium
Social and Political Influences
Discourse Communities and the Rhetorical Situation
Quick Start Guide
Activities for Readers, Contexts, and Rhetorical Situations
Talk About This
Try This Out
Write This
4. Reading Critically, Thinking Analytically
Looking Through and Looking At a Text
Looking Through a Text
Looking At a Text
Reading Critically: Seven Strategies
Strategy 1: Preview the Text
Strategy 2: Play the Believing and Doubting Game
Strategy 3: Annotate the Text
Strategy 4: Analyze the Proofs in the Text
Strategy 5: Contextualize the Text
Strategy 6: Analyze Your Own Assumptions and Beliefs
Strategy 7: Respond to the Text
Using Critical Reading to Strengthen Your Writing
Responding to a Text: Evaluating What Others Have Written
Responding with a Text’s Positions, Terms, and Ideas: Using What Others Have Written
Quick Start Guide
Activities for Reading Critically, Thinking Analytically
Talk About This
Try This Out
Write This
5. Reflecting Critically, Starting Your Portfolio
Using Critical Reflection to Strengthen Your Writing
Identify Your Strengths
Strengthen Your Versatility
Become More Independent
Reflecting Critically: Three Strategies
Strategy 1: Look Backward to Your Prior Experiences
Strategy 2: Look Inward at the Choices You Made
Strategy 3: Look Forward to the Future
Writing Your Critical Reflection
Introduction: Start the Story
The Body: Evaluate and Resolve the Conflict
Conclusion: Reveal What You Learned
Using a Portfolio for Reflection
Step 1: Collect Your Work into an Archive
Step 2: Select the Best Artifacts for Your Portfolio
Step 3: Reflect on Your Work
Step 4: Present Your Materials
Creating an E-Portfolio
Creating a Starter Résumé
Quick Start Guide
Activities for Reflecting Critically, Starting Your Portfolio
Talk About This
Try This Out
Write This
PART 2: USING GENRES TO EXPRESS IDEAS
6. Memoirs
At-A-Glance: Memoirs
One Student’s Work: Nathan Peterman, “I Haven’t Been Back Since”
Inventing Your Memoir’s Content
Inquiring: Finding an Interesting Topic
Inquiring: Finding Out What You Already Know
Researching: Finding Out What Others Know
Organizing and Drafting Your Memoir
Setting the Scene in Rich Detail
Main Point or Thesis
Describing the Complication
Evaluating and Resolving the Complication
Concluding with a Point–an Implied Thesis
Choosing an Appropriate Style
Evoking an Appropriate Tone or Voice
Using Dialogue
Designing Your Memoir
Microgenre: The Literacy Narrative
Frederick Douglass, From Narrative of the Life of Frederick Douglass
Quick Start Guide
Readings
Eliza Kennedy, “When an Open Relationship Comes with a Price”
Thaddeus Gunn, “Slapstick”
Activities for Memoirs
Talk About This
Try This Out
Explore This
Write This
7. Profiles
At-A-Glance: Profiles
One Student’s Work: Ebony James, “Neil deGrasse Tyson: Sexy Astrophysicist and Defender of Science”
Inventing Your Profile’s Content
Inquiring: Finding Out What You Already Know
Researching: Finding Out What Others Know
Organizing and Drafting Your Profile
The Introduction
The Body
The Conclusion
Choosing an Appropriate Style
Designing Your Profile
Microgenre: The Portrait
Hannah Giorgis, “Beyoncé Brought the Feminine Divine to the Grammys”
Quick Start Guide
Readings
Andrew Anthony, “Ellen DeGeneres: Darling of Both Middle America and the Coasts”
Sharon S. Smith, PhD, Mary Ellen O’Toole, PhD, and Robert D. Hare, PhD, “The Predator: When the Stalker Is a Psychopath”
Activities for Profiles
Talk About This
Try This Out
Explore This
Write This
8. Reviews
At-A-Glance: Reviews
One Student’s Work: Talia Raoufpur, “Despite Questionable Quality, Fifty Shades Resonates with Audiences”
Inventing Your Review’s Content
Inquiring: Discovering Common Expectations
Researching: Gathering Background Information
Researching: Go Experience It
Organizing and Drafting Your Review
The Introduction
Description or Summary of the Subject
Discussion of Strengths and Shortcomings
Conclusion
Choosing an Appropriate Style
Use Plenty of Detail
Set the Appropriate Tone
Change the Pace
Designing Your Review
Microgenre: The Rave/The Slam
Linda Holmes, “La La Land Review”
Quick Start Guide
Readings
Wesley Lovell, “Fantastic Beasts and Where to Find Them”
Brian Reinhart, “Shake Shack Makes a Good Burger–and a Good Metaphor for Dallas Dining”
Activities for Reviews
Talk About This
Try This Out
Explore This
Write This
9. Literary Analyses
At-A-Glance: Literary Analyses
One Student’s Work: Jeremy Foote, “Speed That Kills: The Role of Technology in Kate Chopin’s ‘The Story of an Hour’”
Inventing Your Literary Analysis’s Content
Read, Reread, Explore
Inquiring: What’s Interesting Here?
Researching: What Background Do You Need?
Organizing and Drafting Your Literary Analysis
The Introduction: Establish Your Interpretive Question
The Body: Summarize, Interpret, Support
The Conclusion: Restate Your Thesis
Choosing an Appropriate Style
Use the “Literary Present” Tense
Integrate Quoted Text
Move Beyond Personal Response
Designing Your Literary Analysis
Microgenre: The Reading Response
Mateo Hernandez, A Student’s Reading Response to Paul Laurence Dunbar’s “We Wear the Mask”
Quick Start Guide
Readings
Kate Chopin, “The Story of an Hour”
S. Selina Jamal, “Emotion in ‘The Story of an Hour’”
Activities for Literary Analyses
Talk About This
Try This Out
Explore This
Write This
10. Rhetorical Analyses
At-A-Glance: Rhetorical Analyses
One Student’s Work: Sara Kelley, “The Rhetoric of Lincoln’s ‘Gettysburg Address’”
Inventing Your Rhetorical Analysis’s Content
Inquiring: Highlight Uses of Proofs
Researching: Finding Background Information
Organizing and Drafting Your Rhetorical Analysis
The Introduction
Explanation of Rhetorical Concepts
Provide Historical Context and Summary
Analysis of the Text
The Conclusion
Choosing an Appropriate Style
Designing Your Rhetorical Analysis
Microgenre: The Ad Critique
Sam Parker, “Why I Love H&M’s Latest Ad”
Quick Start Guide
Readings
Julie Sedivy, “Donald Trump Talks Like a Woman”
Keith Amaral, “An Analysis of Jim Valvano’s ‘93 ESPY Awards Speech”
Activities for Rhetorical Analyses
Talk About This
Try This Out
Explore This
Write This
11. Commentaries (Argument)
At-A-Glance: Commentaries
One Student’s Work: Rachel Loos, “Recognizing Diversity in Mental Illness” (Argument)
Inventing Your Commentary’s Content
Inquiring: Finding Out What You Already Know
Researching: Finding Out What Others Know
Organizing and Drafting Your Commentary
The Introduction
Explain the Current Event or Issue
Support Your Position (Argument)
Clarify Your Position (Argument)
The Conclusion
Choosing an Appropriate Style
Get into Character
Imitate a Well-Known Writer
Match Your Tone to Your Readers’ Expectations
Use Analogies, Similes, and Metaphors
Designing Your Commentary
Microgenre: Letter to the Editor/Online Comment (Argument)
Kayla Behnke, “As Gun Violence Escalates, the Need for Campus Carry Grows”
Quick Start Guide
Readings
Greg Hampikian, “When May I Shoot a Student?” (Argument)
Edwin Lyngar, “We’re All ShamWow Schemers Now” (Argument)
Activities for Commentaries
Talk About This
Try This Out
Explore This
Write This
12. Arguments (Argument)
At-A-Glance: Arguments
One Student’s Work: Bryee Wilson, “Millennials Must Become More Politically Active” (Argument)
Inventing Your Argument’s Content
Inquiring: Identifying Your Topic
Inquiring: Identifying Points of Contention (Argument)
Researching: Finding Out What Others Believe and Why
Organizing and Drafting Your Argument
The Introduction
Summary and Limitations of Opposing Positions (Argument)
Your Understanding of the Issue
Reasons Your Understanding Is Stronger
Conclusion
Choosing an Appropriate Style
Use Plain Style to Describe the Opposing Positions
Use Similes, Metaphors, and Analogies When Describing Your Position
Use Top-Down Paragraphs
Define Unfamiliar Terms
Designing Your Argument
Microgenre: The Rebuttal (Argument)
Michele Waslin, “Robots, Not Immigrants, Are Replacing U.S. Manufacturing Workers”
Quick Start Guide
Readings
Ryan Anderson, “The Social Costs of Abandoning the Meaning of Marriage” (Argument)
Sean McElwee, “The Case for Censoring Hate Speech” (Argument)
Activities for Arguments
Talk About This
Try This Out
Explore This
Write This
13. Proposals (Argument)
At-A-Glance: Proposals
One Student Group’s Work: Kerry Douglass, “Campus Illumination: An Implementation Strategy for Sustainable Exterior Lighting”
Inventing Your Proposal’s Content
Inquiring: Defining the Problem
Inquiring: Analyzing the Problem
Researching: Gathering Information and Sources
Inquiring: Planning to Solve the Problem
Organizing and Drafting Your Proposal
The Introduction
Description of the Problem, Its Causes, and Its Effects
Description of Your Plan
Discussing the Costs and Benefits of Your Plan
The Conclusion
Choosing an Appropriate Style
Designing Your Proposal
Microgenre: The Pitch
Hans Fex, “Mini Museum”
Quick Start Guide
Readings
Haje Jan Kemps, “Solving Twitter‘s Abuse Problem” (Argument)
Alissa Walker, “Ban Cars’” (Argument)
Activities for Proposals
Talk About This
Try This Out
Explore This
Write This
14. Formal Reports
At-A-Glance: Formal Reports
One Student Group’s Work: Kaisa Lee and Jamie Koss, “College Students’ Attitudes on the Causes of Infidelity”
Inventing Your Report’s Content
Inquiring: Finding Out What You Already Know
Researching: Creating a Research Plan
Researching: Gathering Sources and Revisiting Your Hypothesis
Organizing and Drafting Your Report
Executive Summary or Abstract
Introduction
Methods Section
Findings or Results Section
Discussion Section
Conclusion/Recommendations
References or Works Cited
Appendices
Choosing an Appropriate Style
Designing Your Report
Microgenre: The Explainer
Mark Fahey, “The Herd Outsider’s Guide to the Brony Phenomenon”
Quick Start Guide
Readings
Andrew Gelman and George A. Romero, “How Many Zombies Do You Know? Using Indirect Survey Methods to Measure Alien Attacks and Outbreaks of the Undead” (APA)
Nicholas Freudenberg et al., “Food Insecurity at CUNY: Results from a Survey of CUNY Undergraduate Students” (APA)
Activities for Formal Reports
Talk About This
Try This Out
Explore This
Write This
15. Research Papers
At-A-Glance: Research Papers
One Student’s Work: Katelyn Turnbow, “Lives Not Worth the Money?” (MLA)
Inventing Your Research Paper’s Content
Inquiring: Defining Your Topic, Angle, Purpose
Researching: Finding Out What Others Know
Organizing and Drafting Your Research Paper
The Introduction
The Body
The Conclusion
Works Cited or References
Choosing an Appropriate Style
Designing Your Research Paper
Microgenre: The Annotated Bibliography
Sara Rodriguez, “Annotated Bibliography: The Fog of Revolution” (MLA)
Quick Start Guide
Readings
Teodora Stoica, “How Video Games Unwittingly Train the Brain to Justify Killing” (APA)
Sophie Gullett, “Popular Psychology and the Public Image: How Freud Still Manages to Give Us a Bad Name 100 Years Later” (APA)
Activities for Research Papers
Talk About This
Try This Out
Explore This
Write This
PART 3: DEVELOPING A WRITING PROCESS
16. Inventing Ideas and Prewriting
Prewriting
Concept Mapping
Freewriting
Brainstorming or Listing
Storyboarding
Using Heuristics
Asking the Journalist’s Questions
Using the Five Senses
Investigating Logos, Ethos, Pathos (Argument)
Cubing
Exploratory Writing
Journaling, Blogging, or Microblogging
Writing an Exploratory Draft
Exploring with Presentation Software
Taking Time to Invent and Prewrite
Quick Start Guide
Activities for Inventing Ideas and Prewriting
Talk About This
Try This Out
Explore This
Write This
17. Organizing and Drafting
Sketching Out Your Paper’s Organization
Using the Genre to Create a Basic Outline
Filling Out Your Outline
Drafting Your Introduction: Tell Them What You’re Going to Tell Them
Five Introductory Moves
Using a Grabber to Start Your Introduction
Using a Lead to Draw in the Readers
When Should You Draft Your Introduction?
Drafting the Body of Your Paper: Tell Them
Overcoming Writer’s Block
Drafting Your Conclusion: Tell Them What You Told Them
Quick Start Guide
Activities for Organizing and Drafting
Talk About This
Try This Out
Write This
18. Choosing a Style
Writing in Plain Style
Guideline 1: Clarify Who or What the Sentence Is About
Guideline 2: Make the “Doer” the Subject of the Sentence
Guideline 3: Put the Subject Early in the Sentence
Guideline 4: State the Action in the Verb
Guideline 5: Eliminate Nominalizations
Guideline 6: Boil Down the Prepositional Phrases
Guideline 7: Eliminate Redundancies
Guideline 8: Use Sentences That Are Breathing Length
Establishing Your Voice
Set a Specific Tone
Get into Character
Imitate Other Writers
Writing Descriptively with Figures and Tropes
Use Similes and Analogies
Use Metaphors
Use Personification
Use Onomatopoeia
Use Alliteration and Assonance
Improving Your Writing Style
Quick Start Guide
Activities for Choosing a Style
Talk About This
Try This Out
Write This
19. Designing
Design Principle 1: Balance
Balancing a Page
Design Principle 2: Alignment
Design Principle 3: Grouping
Design Principle 4: Consistency
Choosing Typefaces
Using Headings Consistently
Design Principle 5: Contrast
Using Photography and Images
Using Graphs and Charts
Creating a Graph or Chart
Choosing the Appropriate Graph or Chart
Quick Start Guide
Activities for Designing
Talk About This
Try This Out
Write This
20. Revising and Editing
Level 1: Global Revision
Challenge Your Draft’s Topic, Angle, and Purpose
Think About Your Readers (Again) and the Context
Level 2: Substantive Editing
Determine Whether You Have Enough Information (or Too Much)
Reorganize Your Work to Better Use the Genre
Look for Ways to Improve the Design
Ask Someone Else to Read Your Work
Level 3: Copyediting
Review Your Title and Headings
Edit Paragraphs to Make Them Concise and Consistent
Revise Sentences to Make Them Clearer
Revise Sentences to Make Them More Descriptive
Level 4: Proofreading
Read Your Writing Out Loud
Read Your Draft Backwards
Read a Printed Copy of Your Work
Know Your Grammatical Weaknesses
Use Your Spellchecker and Grammar Checker
Peer Review: Asking for Advice
Quick Start Guide
Activities for Revising and Editing
Talk About This
Try This Out
Write This
PART 4: STRATEGIES FOR SHAPING IDEAS
21. Developing Paragraphs and Sections
Creating a Basic Paragraph
Transition or Transitional Sentence (Optional)
Topic Sentence (Needed)
Support Sentences (Needed)
Point Sentence (Optional)
Getting Paragraphs to Flow (Cohesion)
Subject Alignment in Paragraphs
Given-New in Paragraphs
Organizing a Section
Opening, Body, Closing
Organizational Patterns for Sections
Using Headings in Sections
Quick Start Guide
Activities for Developing Paragraphs and Sections
Talk About This
Try This Out
Write This
22. Using Basic Rhetorical Patterns
Narrative
Description
Describing with the Senses
Describing with Similes, Metaphors, and Onomatopoeia
Definition
Classification
Step 1: List Everything That Fits into the Whole Class
Step 2: Decide on a Principle of Classification
Step 3: Sort into Major and Minor Groups
Cause and Effect
Comparison and Contrast
Combining Rhetorical Patterns
Quick Start Guide
Activities for Using Basic Rhetorical Patterns
Talk About This
Try This Out
Write This
23. Using Argumentative Strategies (Argument)
What Is Arguable?
Arguable Claims
Four Sources of Arguable Claims
Using Reason, Authority, and Emotion
Reason (Logos)
Authority (Ethos)
Emotion (Pathos)
Avoiding Logical Fallacies
Rebuttals and Refutations
Summarize Your Opponents’ Position Objectively
Recognize When the Opposing Position May Be Valid
Concede Some of the Opposing Points
Refute or Absorb Your Opponents’ Major Points
Qualify Your Claims
Quick Start Guide
Activities for Using Argumentative Strategies
Talk About This
Try This Out
Write This
24. Collaborating and Peer Response
Working Successfully in Groups
Working Successfully in Teams
Planning the Project
Forming: Setting Goals, Getting Organized
Storming: Managing Conflict
Norming: Getting Down to Work
Performing: Working as a Team
Using Peer Response to Improve Your Writing
Types of Peer Response and Document Cycling
Using Digital Tools for Peer Review
Responding Helpfully During Peer Response
Quick Start Guide
Activities for Collaborating and Peer Response
Talk About This
Try This Out
Write This
PART 5: DOING RESEARCH
25. Starting Your Research
Starting Your Research Process
Step 1: Define Your Research Question
Step 2: Develop a Working Thesis
Step 3: Devise a Research Plan
Doing Start-Up Research
Assessing a Source’s Reliability
Is the Source Credible?
Is the Source Up to Date?
How Biased Are the Author and the Publisher?
Can You Verify the Evidence in the Source?
How Biased Are You?
Managing Your Research Process
Finalizing a Research Schedule
Starting Your Bibliography File
Following and Modifying Your Research Plan
When Things Don’t Go as Expected
Quick Start Guide
Activities for Starting Your Research
Talk About This
Try This Out
Write This
26. Finding Sources and Collecting Evidence
Using Primary and Secondary Sources
Evaluating Sources with Triangulation
Finding Electronic and Online Sources
Using Internet Search Engines
Using the Internet Cautiously
Using Documentaries and Television/Radio Broadcasts
Using Wikis, Blogs, and Podcasts
Finding Print Sources
Locating Books at Your Library
Finding Articles at Your Library
Using Empirical Sources
Interviewing People
Using an Informal Survey
Doing Field Observations
Quick Start Guide
Activities for Finding Sources and Collecting Evidence
Talk About This
Try This Out
Write This
27. Citing, Quoting, Paraphrasing, and Summarizing Sources
Citing
Quoting
Brief Quotations
Long Quotations
Paraphrasing and Summarizing
Paraphrasing
Summarizing
Framing Quotes, Paraphrases, and Summaries
Avoiding Plagiarism
Academic Dishonesty
Patchwriting
Ideas and Words Taken without Attribution
The Real Problem with Plagiarism
Quick Start Guide
Activities for Citing, Quoting, Paraphrasing, and Summarizing Sources
Talk About This
Try This Out
Write This
28. Using MLA Style
Parenthetical Citations
When the Author’s Name Appears in the Sentence
Citing More Than One Source in the Same Sentence
Citing a Source Multiple Times
Citing a Source with No Page Numbers
Other Parenthetical References
Preparing the List of Works Cited
Including More Than One Source from an Author
Citing a Source that Appears in Another Source (Containers)
Formatting a List of Works Cited
Citing Sources in the List of Works Cited
Citing Books and Other Nonperiodical Publications
Citing Journals, Magazines, and Other Periodicals
Citing Web Publications
Citing Other Kinds of Sources
A Student’s MLA-Style Research Paper: Brian Naidus, “A Whole New World: A Background on the Life of the Freshwater Shark”
29. Using APA Style
Parenthetical Citations
When the Author’s Name Appears in the Sentence
Citing More Than One Source in the Same Sentence
Citing a Source Multiple Times
Other Parenthetical References
Preparing the List of References
Formatting a List of References in APA Style
Citing Sources in the List of References
Citing Books and Other Nonperiodical Publications
Citing Journals, Magazines, and Other Periodicals
Citing Web Publications
Citing Other Kinds of Sources
A Student’s APA-Style Research Paper: Austin Duus, “Assortive Mating and Income Inequality”
PART 6: GETTING YOUR IDEAS OUT THERE
30. Writing with Social Networking
Is This Writing?
Creating a Social Networking Site
Choose the Best Site for You
Be Selective About Your “Friends”
Update Your Profile Regularly
Starting Your Own Blog
Choose a Host Site for Your Blog
Writing and Updating Your Blog
Writing Articles for Wikis
Write the Article
Add Your Article to the Wiki
Putting Videos and Podcasts on the Internet
Write the Script
Edit Your Work
Upload Your Video or Podcast
Quick Start Guide
Activities for Writing with Social Networking
Talk About This
Try This Out
Write This
31. Succeeding on Written Exams and Assessments
Step 1: Prepare for the Exam
Meet with Study Groups
Ask Your Professor About the Exam
Pay Attention to Themes and Key Concepts
For Standardized Assessments, Study the Rubrics or Scoring Guidelines
Create Your Own Questions and Rehearse Possible Answers
Step 2: Start Your Written Exam
Review the Exam Quickly to Gain an Overall Picture
Budget Your Time
Step 3: Answer the Questions
Organize Your Answer
Step 4: Complete the Written Exam
One Student’s Written Exam
Quick Start Guide
Activities for Succeeding on Written Exams and Assessments
Talk About This
Try This Out
Write This
32. Presenting Your Work
Step 1: Plan Your Presentation
Ask a Few Key Questions to Get Started
Choose the Appropriate Presentation Technology
Allot Your Time
Step 2: Organize Your Ideas
Introduction: Tell Them What You’re Going to Tell Them
The Body of Your Talk: Tell Them
Conclusion: Tell Them What You Told Them
Question and Answer
Step 3: Design Your Visual Aids
Format Your Slides
Step 4: Prepare Your Delivery
Body Language
Voice and Tone
Step 5: Practice and Rehearse
Practice, Practice, Practice
Rehearse, Rehearse, Rehearse
Quick Start Guide
Activities for Presenting Your Work
Talk About This
Try This Out
Write This
PART 7: THEMATIC ANTHOLOGY OF READINGS
33. College and a New Life
Heirloom
Victoria Chiu
The College Hazing That Changed My Life
Thomas Rogers
Is College Worth It?
Jake Garner
How to Fix Grade Inflation at Harvard
Samuel Goldman
Freshman Fifteen: Fact or Fiction?
Jennifer A. Carithers-Thomas, Shelley H. Bradford, Christopher M. Keshock, Steven F. Pugh
34. Identity and Human Nature
The End of Identity Politics
Victoria Davis Hanson
Moonlight Chronicles Discovering One’s Sexual Identity in the Worst of Circumstances
Nsenga K. Burton, PhD
A Modest Proposal
Jonathan Swift
The NSDUH Report: Major Depressive Episode Among Full-Time College Students and Other Young Adults, Aged 18 to 22
35. Culture and Entertainment
Why We Crave Horror Movies
Stephen King
Resident Evil 7: It’s a Screaming Good Time
Daniel Howley
Ethical Chic: How Women Can Change the Fashion Industry
Elizabeth Schaeffer Brown
Finding the Glass Slipper: A Feminist Analysis of the Disney Princess Films
Kathryn Buckingham
Neil Patrick Harris’s Series of Fortunate Events
Kevin Fallon
36. Place and Environment
Hot for Creature
Eric Willis
The Courage of Turtles
Edward Hoagland
Nature Writing in America: Criticism through Imagery
Adam Regn Arvidson
Forget Shorter Showers
Derrick Jensen
37. Health and Safety
The Serial Rapist Is Not Who You Think
Tim Madigan
Do Cell Phones Cause Cancer?
Reynard Loki
After Own Victory, Counselor Helps Others Beat Heroin
Kelly Glista
Women’s Rights Are Human Rights
Hillary Rodham Clinton
38. Science and Technology
Taking on Creationism: Which Arguments and Evidence Counter Pseudoscience?
Mark Greener
Darwin’s Paradigm Shift
Tim Berra, PhD
We’ve Been Waiting for Hidden Figures: The Importance of Representation in Media
Austin S. Harris
Drones in U.S. Airspace: Principles for Governance
Paul Rosenzweig, Steven P. Bucci, PhD, Charles D. Stimson, and James Jay Carafano, PhD
PART 8: HANDBOOK
1. Sentences
2. Verbs
3. Pronouns
4. Style
5. Punctuation, Mechanics, and Spelling
Appendix: Readings Arranged by Theme
Credits
Index
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