Richard Jackson

This original monograph on the work of the Los Angeles-based artist accompanies the first major North American exhibition in over twenty years and documents site-specific paintings and other works created especially for this occasion.

Andrew Berardini regularly publishes criticism and essays for art journals including Frieze, Art Review, and Mousse, where he's a contributing editor. As a curator at the Armory Center for the Arts in Pasadena (California) he worked on major exhibitions.

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Summary

Author Biography

Supplemental Materials