Romanticism, Medicine and the Natural Supernatural Transcendent Vision and Bodily Spectres, 1789-1852

Romanticism, Medicine and the Natural Supernatural explores the relationship between the Romantic preoccupation with visionary kinds of experience and early nineteenth-century medical theories of hallucination and the nerves, placing it in the context of accounts of perception in philosophical empiricism. Starting with an examination of Ann Radcliffe's Gothic narrative, and the canonical Romanticism of Wordsworth and Coleridge, the book goes on to examine the persistence of this medical topos of hallucination and the visionary in mid nineteenth-century writers influenced by Romanticism, such as Harriet Martineau and Harriet Beecher Stowe. The book concludes with a discussion of how the pathological language employed in early debates about Pre-Raphaelite painting reflects this Romantic conception of the interrelationship between nervous strain, hallucination and vision.

GAVIN BUDGE is a senior lecturer in English Literature at the University of Hertfordshire, UK. He is the author of Charlotte M Yonge: Religion, Feminism and Realism in the Victorian Novel (Lang 2007), and editor of a collection of essays, Romantic Empiricism: Poetics and the Philosophy of Common Sense

Acknowledgements
Introduction
Radcliffe and the Spectral Scene of Reading
Erasmus Darwin and Wordsworth's Poetics
Indigestion and Coleridge's Medical Imagination
Irritability and the Politics of Deerbrook
Slavery and Mass Society in Uncle Tom's Cabin
The Hallucination of the Real: Pre-Raphaelite Vision, Democracy and Masculinity
Conclusion: Nineteenth-Century Medicine and the Genealogy of English Studies
Notes
Bibliography
Index