Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the Word

, by Hutchings, Stephen; Vernitskaia, Anat

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ISBN: 9780203011041 | 020301104X
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Copyright: 11/26/2004

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Examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on public consciousness.

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Introduction: The Importance of the Ekranizatsiia in 20th Century Russian and Soviet Culture
Soviet Film Adaptations under Lenin and Stalin: Manufacturing the Myth
Popular Literature in Film Adaptations of the NEP Period
Moving Images and Eye-deologies: Visuality and the Political in the Soviet Screen Adaptation of Literature
National Historical Mythologies on the Soviet Screen: The Film Version of Tolstoy's 'Peter the Great'
Literature and Film in the Post-Stalin Era: The Myth in Retreat
Unauthor-ized Copies: The Image of the Writer in the Post-Stalin Film Adaptation
Kozintsev's Film Adaptations of Shakespeare
Aksenov: Young Prose and the Cinema of the Thaw
Pushkin's 'Arap Petra Pervogo' and its Film Adaptation
The Writer as Director in Late Soviet Russia: Vasilii Shukshin
From Text to Screen, Soviet to Post-Soviet: Re-viewing the Russian National Myth
Imperially My Dear Watson: The Sherlock Holmes Series and the Decline of the Soviet Empire
Official versus Dissent: The Mikhalkov Brothers' View of Russia's Past
'I Love You Dear Captive': Gender, Narrative and Chronotope in The Screened Caucasus Tale
Re-reading/Re-viewing Dostoevskii in the Post-Soviet Era: The Challenge of the Spiritual
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Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the Word

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Table of Contents

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Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the Word

Summary

Table of Contents

Supplemental Materials

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