Still Babbling of Green Fields: Mr. Greenfields and the Twenty-third Psalm
45
(17)
GEORGE WALTON WILLIAMS
"So quick bright things come to confusion": or, What Else Was A Midsummer Night's Dream About?
62
(1)
TOM CLAYTON
"The gift is small, / The will is all": Musings for Jay Halio
62
(47)
DONALD W. FOSTER
Part Two: Performances
109
(120)
A Polish Gentleman's Visit to London Theaters in 1820-1821
109
(11)
JERZY LIMON
How Revolutionary is Cross-cast Shakespeare? A Look at Five Contemporary Productions
120
(16)
GRACE TIFFANY
Strands Too Far Remote: A Note on Translating the Political and the Politics of Translation
136
(10)
AVRAHAM OZ
Beginning with Branagh: Romeo and Juliet, Hammersmith, 1986
146
(17)
RUSSELL JACKSON
To Know a Shakespeare Character
163
(7)
MARVIN ROSENBERG
The Readiness Was All: Ian Charleson and Richard Eyre's Hamlet
170
(13)
RICHARD ALLAN DAVISON
Stoppard's Rosencrantz and Guildenstern Are Dead: The Film
183
(12)
H. R. COURSEN
Cori-Ollie-anus: Shakespeare's Last Tragedy and American Politics in 1988
195
(14)
R. B. PARKER
Staging The Tempest as an Alchemical Experiment in the Theater
209
(20)
PEGGY MUNOZ SIMONDS
Part Three: Text and Performance
229
(103)
Stage Directions as Evidence: The Question of Provenance
229
(19)
ALAN C. DESSEN
Show Business: The Editor in the Theater
248
(18)
JILL L. LEVENSON
"Oh be some other name": Translating Romeo and Juliet
266
(19)
LAURIE E. MAGUIRE
Humor Out of Breath: Francis Gentleman and the Henry IV Plays
285
(13)
LOIS POTTER
Editing Informed by Performance History: The Double Ending of Troilus and Cressida
298
(12)
DAVID BEVINGTON
Two Lears: Notes for an Actor
310
(10)
ALEXANDER LEGGATT
Staging The Comedy of Errors
320
(12)
ARTHUR F. KINNEY
A Checklist: Jay L. Halio
332
(2)
BARBARA SILVERSTEIN
Contributors
334
(4)
Index to Works by, or Attributed to William Shakespeare
338
(2)
General Index
340
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