Stephen Rodgers is Professor of Music Theory and Musicianship at the University of Oregon. He writes about the relationship between music and poetry, focusing especially on the songs of nineteenth-century composers such as Franz Schubert, Fanny Hensel, Felix Mendelssohn, Robert Schumann, and Clara Schumann. He is also active as a tenor and has performed several lecture-recitals throughout the United States.
Acknowledgments
Chapter 1: Introduction Stephen Rodgers
Part I: Nature and Travel Chapter 2: The Wilderness at Home: Woods-Romanticism in Fanny Hensel's Eichendorff Songs Amanda Lalonde Chapter 3: Waldszenen and Abendbilder: Fanny Hensel, Nikolaus Lenau, and the Nature of Melancholy Scott Burnham Chapter 4: Songs of Travel: Fanny Hensel's Wanderings Susan Wollenberg
Part II: Settings of English Verse Chapter 5: Women's Private Cosmopolitanism in Literary Translation and Song: Fanny Hensel's Drei Lieder nach Heinrich Heine von Mary Alexander Jennifer Ronyak Chapter 6: "In this elusive language": A Byron Song by Fanny Hensel Susan Youens
Part III: Tonal Ingenuity Chapter 7: "You too may change": Tonal Pairing of the Tonic and Subdominant in Two Songs by Fanny Hensel Tyler Osborne Chapter 8: Plagal Cadences in Fanny Hensel's Songs Stephen Rodgers
Part IV: Responses to Poetic Form Chapter 9: Working with Words: Revisions of Declamation in Fanny Hensel's Song Autographs Harald Krebs Chapter 10: Modulating Couplets in Fanny Hensel's Songs Yonatan Malin
Part V: Beyond Song/Beyond Hensel Chapter 11: Reading Poetry Through Music: Fanny Hensel and Others J?rgen Thym Chapter 12: Fanny Hensel's Lieder (ohne Worte) and the Boundaries of Song: The Curious Case of the Lied in D flat major, Op. 8, No. 3 R. Larry Todd
Bibliography
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