- ISBN: 9780571211227 | 0571211224
- Cover: Paperback
- Copyright: 9/18/2002
Sami Plotkin graduated summa cum laude from Brandeis University with a double major in Theatre Arts and English Literature, and honed her stagecraft in London under the tutelage of Royal Shakespeare Company members. She later earned her M.F.A. at Columbia University’s School of the Arts. Sami has performed Shakespeare in the United States and on tour in Europe and the former Soviet Union; she now works as an actor, screenwriter, and playwright. During the hours when the New York Public Library is closed, she lives with her husband in Chelsea.
The authors were awarded a grant from the Ludwig Vogelstein Foundation for this book in 1999.
Prologue: Why We Wrote This Book | xvii | ||||
Acknowledgment | xix | ||||
The Play's the Thing | xxiii | ||||
Choosing A Monologue | xxiii | ||||
What is This Stuff? | xxvii | ||||
Why Bother? | xxix | ||||
Cracking the Code | xxxi | ||||
Verse-Atility | xxxi | ||||
A Leg Up on Feet: The Basic Variations | xxxi | ||||
Additional Variations: Headless Feet and Other Oddities | xxxiii | ||||
Making the Shoe Fit the Foot | xxxvi | ||||
We Come to Praise Caesura, Not to Bury It | xxxix | ||||
Rhetoric-Poetic and Otherwise | xli | ||||
A Reason to Rhyme | xli | ||||
Crossing the Sound Barrier | xlii | ||||
Imagery: ``On Your Imaginary Forces Work'' | xliv | ||||
Rhetorically Speaking | xlv | ||||
This Earth, This Realm, This England: Shakespeare's Life and Times | xlix | ||||
What's Past is Prologue: England in Shakespeare's Time | xlix | ||||
Within This Wooden O: Theatre in Shakespeare's Time | li | ||||
One Man in His Time Plays Many Parts: The Bard's Bio, in Brief | lii | ||||
The Lowdown on Punctuation, Spelling, Annotation, Commentary, and Line Numbering | lvii | ||||
Monologues | |||||
THE HISTORIES | |||||
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5 | (6) | |||
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11 | (6) | |||
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17 | (6) | |||
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23 | (6) | |||
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29 | (6) | |||
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35 | (5) | |||
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40 | (6) | |||
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46 | (4) | |||
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50 | (5) | |||
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55 | (5) | |||
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60 | (6) | |||
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66 | (6) | |||
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72 | (6) | |||
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78 | (5) | |||
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83 | (4) | |||
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87 | (4) | |||
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91 | (7) | |||
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98 | (6) | |||
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104 | (6) | |||
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110 | (6) | |||
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116 | (6) | |||
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122 | (7) | |||
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129 | (8) | |||
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137 | (6) | |||
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143 | (6) | |||
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149 | (9) | |||
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158 | (6) | |||
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164 | (7) | |||
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171 | (8) | |||
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179 | (6) | |||
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185 | (6) | |||
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191 | (6) | |||
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197 | (6) | |||
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203 | (5) | |||
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208 | (4) | |||
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212 | (6) | |||
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218 | (5) | |||
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223 | (8) | |||
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231 | (786) | |||
THE COMEDIES | |||||
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243 | (5) | |||
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248 | (6) | |||
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254 | (4) | |||
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258 | (6) | |||
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264 | (6) | |||
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270 | (6) | |||
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276 | (6) | |||
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282 | (3) | |||
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285 | (6) | |||
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291 | (5) | |||
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296 | (6) | |||
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302 | (6) | |||
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308 | (5) | |||
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313 | (5) | |||
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318 | (8) | |||
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326 | (4) | |||
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330 | (3) | |||
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333 | (3) | |||
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336 | (6) | |||
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342 | (6) | |||
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348 | (6) | |||
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354 | (5) | |||
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359 | (5) | |||
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364 | (4) | |||
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368 | (5) | |||
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373 | (4) | |||
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377 | (4) | |||
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381 | (5) | |||
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386 | (6) | |||
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392 | (9) | |||
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401 | (5) | |||
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406 | (7) | |||
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413 | (7) | |||
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420 | (5) | |||
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425 | (8) | |||
THE PROBLEM PLAYS | |||||
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433 | (5) | |||
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438 | (5) | |||
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443 | (4) | |||
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447 | (7) | |||
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454 | (7) | |||
THE TRAGEDIES | |||||
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461 | (5) | |||
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466 | (8) | |||
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474 | (7) | |||
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481 | (4) | |||
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485 | (6) | |||
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491 | (6) | |||
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497 | (4) | |||
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501 | (5) | |||
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506 | (6) | |||
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512 | (5) | |||
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517 | (7) | |||
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524 | (5) | |||
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529 | (5) | |||
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534 | (8) | |||
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542 | (10) | |||
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552 | (7) | |||
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559 | (5) | |||
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564 | (6) | |||
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570 | (6) | |||
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576 | (6) | |||
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582 | (6) | |||
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588 | (9) | |||
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597 | (5) | |||
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602 | (8) | |||
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610 | (5) | |||
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615 | (5) | |||
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620 | (5) | |||
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625 | (5) | |||
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630 | (7) | |||
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637 | (5) | |||
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642 | (6) | |||
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648 | (6) | |||
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654 | (6) | |||
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660 | (5) | |||
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665 | (6) | |||
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671 | (6) | |||
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677 | (6) | |||
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683 | (8) | |||
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691 | (6) | |||
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697 | (7) | |||
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704 | (6) | |||
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710 | (7) | |||
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717 | (5) | |||
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722 | (5) | |||
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727 | (4) | |||
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731 | (4) | |||
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735 | (7) | |||
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742 | (7) | |||
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749 | (7) | |||
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756 | (6) | |||
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762 | (4) | |||
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766 | (4) | |||
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770 | (4) | |||
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774 | (6) | |||
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780 | (6) | |||
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786 | (5) | |||
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791 | (8) | |||
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799 | (7) | |||
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806 | (6) | |||
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812 | (5) | |||
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817 | (5) | |||
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822 | (7) | |||
THE ROMANCES | |||||
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829 | (8) | |||
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837 | (6) | |||
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843 | (5) | |||
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848 | (4) | |||
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852 | (7) | |||
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859 | (5) | |||
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864 | (4) | |||
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868 | (6) | |||
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874 | (6) | |||
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880 | (5) | |||
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885 | (6) | |||
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891 | (8) | |||
Synopses | |||||
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899 | (4) | |||
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903 | (3) | |||
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906 | (2) | |||
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908 | (3) | |||
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911 | (2) | |||
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913 | (3) | |||
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916 | (4) | |||
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920 | (4) | |||
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924 | (3) | |||
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927 | (4) | |||
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931 | (4) | |||
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935 | (3) | |||
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938 | (4) | |||
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942 | (4) | |||
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946 | (3) | |||
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949 | (2) | |||
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951 | (3) | |||
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954 | (4) | |||
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958 | (2) | |||
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960 | (3) | |||
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963 | (3) | |||
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966 | (4) | |||
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970 | (5) | |||
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975 | (3) | |||
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978 | (3) | |||
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981 | (4) | |||
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985 | (3) | |||
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988 | (3) | |||
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991 | (2) | |||
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993 | (5) | |||
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998 | (3) | |||
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1001 | (2) | |||
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1003 | (4) | |||
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1007 | (3) | |||
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1010 | (2) | |||
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1012 | (2) | |||
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1014 | (3) | |||
Glossary of Common Archaic Words, Verb Forms, Elisions, and Contractions | 1017 | (4) | |||
Index to the Monologues | 1021 |
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