Stanislavski's Legacy

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ISBN: 9780878301270 | 0878301275
Cover: Nonspecific Binding
Copyright: 1/7/1987

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Out of the large body of materials -- articles, speeches, notes and memoirs -- left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work. The result is a volume which supplements the other books he wrote, and re-emphasizes, sometimes in condensed and particularly vivid form, his views about acting, the theatre and life.

Foreword to the Second Edition

(2)

Editor's Foreword

vii

PART ONE "In art you do not command, you persuade...."

(76)

The Long-Hoped-for Child

(2)

What Shall We Learn?

(4)

The Hard Job of Being an Actor

(4)

Types of Actors

(7)

On Being Truthful in Acting

(1)

Acting Looks Easy

(6)

An Actor Is a Teacher of Beauty and Truth--Letter to a Young Student

(2)

Lively Art

(1)

How to Talk to Actors

(1)

Talks with Singers to be Trained as Actors

(1)

Talks with Opera and Acting Students

(8)

Opera Rules

(3)

The Bond Between Music and Action

(2)

Technique of the Creative Mood

(1)

Physical Action as a Means to an End

(2)

Talent, Inspiration and Professionalism

(1)

Back to Work--The Beginning of the Season

(24)

Back to Study--Talks with Established Actors

(3)

The Life of a True Artist

(3)

PART TWO "The Value of any art is determined by its spiritual content...."

(50)

After Ten Years in the Art Theatre

(1)

On the Death of Tolstoy

(1)

Chekhov's Influence on the Art Theatre

(3)

Memories of Chekhov

(39)

Messages about The Cherry Orchard

123

(6)

PART THREE "My System is the result of lifelong Searchings...."

129

(42)

On Reaching the Public

129

(4)

Conversation in an Actor's Dressing Room

133

(2)

On Drama Criticism and Critics

135

(3)

Why and When Play Melodrama?

138

(10)

Young Actors in Mob Scenes

148

(5)

What is the Grotesque?

153

(4)

The Inner Pattern of the Role

157

(2)

The Mysterious World of The Blue Bird

159

(3)

On Playing Othello

162

(9)

PART FOUR "There is only one Method--that of organic, creative nature...."

171

(26)

The Theatre in Which the Playwright Is Paramount

171

(4)

The Theatre in Which the Scene Designer Is Paramount

175

(3)

An Argument with a Scene Designer

178

(4)

The Art of the Actor and the Art of the Director

182

(15)

PART FIVE "Memories of the Past ... Dreams of the Future...."

197

(11)

A Better Mousetrap

197

(1)

A Theatre for All

198

(5)

The View at Seventy

203

(5)

INDEX

208

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Stanislavski's Legacy

Summary

Table of Contents

Supplemental Materials