Foreign Modes of Performance How Reinhardt Works with His Actors
The Month of Duse (excerpts)
The Acting of the Abbey Theatre
The Actor and the Revolution
Child of Silence
Stanislavsky and His Followers Stanislavsky's Speech to His Players Perspective on Character Building
Stanislavsky Fundamentals of Acting
An Actor Prepares: a Comment on Stanislavski's Method
An Actor Prepares: Comments on Stanislavski's Methods
The Group Theatre in Its Tenth Year
The Actor's Lab
Past Performance
An Actor Must Have 3 Selves
A Study of Actors Studio
A Point of View and a Place to Practice
Wanted: More Stars, Less Method
The Actor and His Role The Actor Attacks His Part
Lynne Fontanne and Alfred Lunt A Play in the Making
The Lunts Rehearse Amphritryon 38
The Actor Attacks His Part: Katherine Cornell
The Actor Attacks His Part: Burgess Meredith
The Dancing Actor Attacks His Part: Fred Astaire The Singing Actress Attacks Her Part
Lotte Lehman Great Roles Reborn
Bette Davis Tells How Regina, the Old Maid and Miss Moffatt Came to the Screen
Technical Matters The Voice in the Theatre
Illusion in Acting
The Lazy Actor
Type-casting the 8th Deadly Sin
The Moribund Craft of Acting
I Pray You
Notes on Film Acting
The Actor as Thinker
Glossary of Proper Names
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