"A Truly Living Moment": Acting and the Statements Plays
p. 13
"The Many Individual Wills." From Crossroads to Survival. The Work of Experimental Theatre Workshop '71
p. 25
Whose Popular Theatre and Performance?
p. 49
The Performance Aesthetics of Township Theatre: Frames and Codes
p. 65
Theatre for Export: The Commercialization of the Black People's Struggle in South African Export Musicals
p. 85
Theatre in Exile
p. 89
My Life in the Theatre of War: The Development of an Alternative Consciousness
p. 101
What is a Tribal Dress? The "Imbongi" (Praise-Singer) and the "People's Poet." Reactivation of a Tradition in the Liberation Struggle
p. 115
The Workers' Theatre in Natal
p. 132
"An Interest in the Making of Things." An Interview with William Kentridge
p. 140
Tooth and Nail. Rethinking Form for the South African Theatre
p. 155
Physical Images in the South African Theatre
p. 173
"I Will Remain an African." An Interview with Maishe Maponya
p. 183
Politics and the Theatre: Current Trends in South Africa
p. 193
Theatre: The Political Weapon in South Africa
p. 219
"This Compost Heap of a Country." An Interview with Barney Simon
p. 225
So What's New? The Story behind the Play
p. 242
PACT: Can the Leopard Change its Spots?
p. 246
The Future of the Performing Arts Councils in a New South Africa
p. 260
"It's Time to Have a South African Culture." An Interview with Ramolao Makhene
p. 272
Publications Appeal Board Decision on Public Entertainment: Famous Dead Man
p. 299
Weekly Mail reports on Famous Dead Man and Sunrise City
p. 311
Notes on Contributors
p. 323
Index of Proper Names
p. 326
Index of Titles
p. 332
Subject Index
p. 335
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