Theory of Film
, by Kracauer, SiegfriedNote: Supplemental materials are not guaranteed with Rental or Used book purchases.
- ISBN: 9780691037042 | 0691037043
- Cover: Paperback
- Copyright: 11/24/1997
Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Béla Balázs, Rudolf Arnheim, and André Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance ofTheory of Filmfor contemporary film theory.
INTRODUCTION | vii | (40) | |||
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PREFACE | xlvii | (6) | |||
ACKNOWLEDGMENTS | liii | ||||
INTRODUCTION | |||||
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3 | (24) | |||
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4 | (8) | |||
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4 | (4) | |||
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8 | (4) | |||
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12 | (15) | |||
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12 | (1) | |||
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13 | (5) | |||
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18 | (3) | |||
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21 | (1) | |||
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22 | (5) | |||
I. GENERAL CHARACTERISTICS | 27 | (50) | |||
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27 | (14) | |||
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28 | (2) | |||
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30 | (7) | |||
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30 | (3) | |||
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33 | (2) | |||
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35 | (1) | |||
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36 | (1) | |||
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37 | (2) | |||
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39 | (2) | |||
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41 | (19) | |||
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41 | (5) | |||
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41 | (4) | |||
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45 | (1) | |||
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46 | (14) | |||
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46 | (11) | |||
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57 | (1) | |||
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58 | (2) | |||
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60 | (17) | |||
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60 | (2) | |||
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62 | (1) | |||
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63 | (5) | |||
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63 | (1) | |||
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64 | (4) | |||
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68 | (3) | |||
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68 | (1) | |||
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69 | (2) | |||
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71 | (6) | |||
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72 | (1) | |||
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73 | (4) | |||
II. AREAS AND ELEMENTS | 77 | (98) | |||
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77 | (16) | |||
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77 | (5) | |||
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77 | (2) | |||
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79 | (3) | |||
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82 | (11) | |||
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83 | (1) | |||
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84 | (3) | |||
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87 | (3) | |||
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90 | (3) | |||
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93 | (9) | |||
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93 | (3) | |||
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94 | (1) | |||
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95 | (1) | |||
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95 | (1) | |||
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96 | (2) | |||
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97 | (1) | |||
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98 | (4) | |||
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98 | (1) | |||
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99 | (1) | |||
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100 | (2) | |||
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102 | (31) | |||
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102 | (2) | |||
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102 | (1) | |||
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103 | (1) | |||
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104 | (20) | |||
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104 | (7) | |||
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111 | (13) | |||
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124 | (9) | |||
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124 | (1) | |||
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125 | (2) | |||
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127 | (1) | |||
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128 | (5) | |||
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133 | (24) | |||
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133 | (6) | |||
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133 | (1) | |||
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134 | (5) | |||
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139 | (18) | |||
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139 | (5) | |||
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144 | (8) | |||
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152 | (5) | |||
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157 | (18) | |||
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157 | (9) | |||
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158 | (1) | |||
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159 | (1) | |||
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160 | (3) | |||
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163 | (3) | |||
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166 | (9) | |||
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166 | (1) | |||
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167 | (2) | |||
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169 | (1) | |||
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170 | (1) | |||
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171 | (1) | |||
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171 | (4) | |||
III. COMPOSITION | 175 | (110) | |||
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175 | (18) | |||
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175 | (2) | |||
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177 | (1) | |||
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177 | (1) | |||
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178 | (1) | |||
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178 | (4) | |||
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178 | (1) | |||
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179 | (1) | |||
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180 | (1) | |||
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181 | (1) | |||
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182 | (11) | |||
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182 | (1) | |||
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183 | (4) | |||
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187 | (5) | |||
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192 | (1) | |||
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193 | (22) | |||
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193 | (2) | |||
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193 | (1) | |||
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193 | (1) | |||
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194 | (1) | |||
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195 | (6) | |||
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195 | (1) | |||
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196 | (3) | |||
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199 | (2) | |||
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201 | (14) | |||
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201 | (5) | |||
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206 | (5) | |||
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211 | (4) | |||
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215 | (17) | |||
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215 | (1) | |||
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215 | (1) | |||
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216 | (1) | |||
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216 | (2) | |||
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218 | (4) | |||
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218 | (1) | |||
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219 | (1) | |||
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220 | (1) | |||
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221 | (1) | |||
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222 | (8) | |||
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222 | (3) | |||
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225 | (5) | |||
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230 | (2) | |||
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230 | (1) | |||
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231 | (1) | |||
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232 | (13) | |||
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232 | (2) | |||
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232 | (1) | |||
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233 | (1) | |||
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234 | (5) | |||
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234 | (3) | |||
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237 | (2) | |||
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239 | (6) | |||
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239 | (1) | |||
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239 | (1) | |||
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240 | (2) | |||
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242 | (3) | |||
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245 | (17) | |||
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245 | (6) | |||
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245 | (1) | |||
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246 | (5) | |||
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251 | (11) | |||
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251 | (1) | |||
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252 | (2) | |||
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254 | (6) | |||
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260 | (2) | |||
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262 | (23) | |||
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262 | (1) | |||
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263 | (7) | |||
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263 | (2) | |||
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265 | (5) | |||
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270 | (15) | |||
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270 | (2) | |||
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272 | (13) | |||
EPILOGUE | 285 | (28) | |||
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285 | (28) | |||
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285 | (2) | |||
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287 | (9) | |||
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287 | (1) | |||
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288 | (3) | |||
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291 | (3) | |||
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294 | (2) | |||
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296 | (4) | |||
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296 | (1) | |||
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297 | (1) | |||
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298 | (2) | |||
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300 | (13) | |||
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300 | (3) | |||
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303 | (1) | |||
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304 | (4) | |||
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308 | (1) | |||
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309 | (4) | |||
NOTES | 313 | (26) | |||
BIBLIOGRAPHY | 339 | (12) | |||
INDEX | 351 |
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