Three Documentary Filmmakers : Errol Morris, Ross McElwee, Jean Rouch

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Summary

Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers' philosophies on film, fantasy, and reality.

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Introduction	p. 1
Errol Morris: The Fog of Film	p. 11
Errol Morris's Irony	p. 13
Errol Morris's Forms of Control	p. 19
The Philosophy of Errol Morris: Ten Lessons	p. 43
Ross McElwee: I Film Therefore I Am	p. 61
Coincidence in Ross McElwee's Documentaries	p. 63
Reflections on Bright Leaves	p. 73
Drifting in Time: Ross McElwee's Time Indefinite	p. 83
Surprise and Pain, Writing and Film	p. 91
Sometimes Daddies Don't Talk about Things like That	p. 103
Jean Rouch: The Filmmaker as Provocateur	p. 123
Jean Rouch and the Power of the Between	p. 125
The Pause of the World	p. 139
Jean Rouch's Les maîtres fous: Documentary of Seduction, Seduction of Documentary	p. 157
Petit à Petit and The Lion Hunters	p. 179
Jean Rouch as Film Artist: Tourou and Bitti, The Old Anaï, Ambara Dama	p. 197
Works Cited	p. 233
List of Contributors	p. 239
Index	p. 243
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