Thriving on a Riff Jazz & Blues Influences in African American Literature and Film

Thriving on a Riff explores the influence of jazz and blues in two key areas of cultural expression, literature and film, where these musics have often been inextricably linked with notions of racial identity and self-representation. From the Harlem Renaissance to the present day, African American writers have adapted blues and jazz forms for their own ends. Individual chapters here focus on the distinctive approaches of writers as various as Sterling Brown (Steven C. Tracy), James Weldon Johnson and J.J. Phillips (NickHeffernan), Paul Beatty (Bertram Ashe) and Amiri Baraka and Nathaniel Mackey (David Murray). There are interviews (by Graham Lock) with leading contemporary poets Michael S. Harper and Jayne Cortez, who also read their work on the book's companion website. The performing self, as found inautobiography as well as in music and film, is explored in Krin Gabbard's account of Miles Davis, while John Gennari investigates factual and fictional versions of Charlie Parker. Cinema's representations of musical performance have varied greatly, as is shown by essays on Hollywood's adaptations ofblackface minstrelsy (Corin Willis) and Howard Hawks' view of jazz as democracy in action (Ian Brookes). Film scores too have proved controversial in deploying jazz to denote sleaze and criminality: reacting against this audio stereotyping, the more sophisticated and nuanced efforts of DukeEllington and John Lewis are discussed by, respectively, Mervyn Cooke and David Butler. Finally, Michael Jarrett brings together many interpretative threads in proposing a new model of influence, or conduction, exemplified in the iconic sounds of the train and its various criss-crossing echoes inand through African American culture. A significant addition to the growing body of work on jazz and blues as cross-cultural influences, Thriving on a Riff presents new and provocative work by the most distinguished scholars in the field, whose perspectives span the genres.

Graham Lock is a freelance writer, Special Lecturer in American Music, University of Nottingham, and author, Forces in Motion: Anthony Braxton and the Meta-reality of Creative Music (Quartet, 1988), Chasing the Vibration: Meetings with Creative Musicians (Stride, 1994), and Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington and Anthony Braxton (Duke, 1999), and editor, Mixtery: A Festschrift for Anthony Braxton (Stride, 1995).
David Murray is Professor of American Studies, University of Nottingham, and author, Indian Giving: Economies of Power in Early Indian-White Exchanges (Massachusetts UP, 2000), Forked Tongues: Speech, Writing and Representation in North American Indian Texts (Indiana UP, 1992), and Matter, Magic and Spirit: Representing Indian and African American Belief (Pennsylvania UP, 2007).