Tilman Riemenschneider, c. 1460-1531

, by Edited by Julien Chapuis; Contributors: Till-Holger Borchert, Thomas A. Brady Jr

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ISBN: 9780300101348 | 0300101341
Cover: Trade Book
Copyright: 4/10/2004

Tilman Riemenschneider, c. 1460-1531 > ISBN13: 9780300101348

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Supplemental Materials

Preface

(2)

Elizabeth Cropper

Introduction: Learning from an Exhibition

(6)

Julien Chapuis

I. THE HISTORICAL CONTEXT

One Soul, Two Bodies: Lordship and Faith in the Prince-Bishopric of Wurzburg c. 1500

(14)

Thomas A. Brady Jr.

II. INDIVIDUAL WORKS IN FOCUS

Rudolphus de Scherenberg, Episcopus herbipolensis, Franciaeque orientalis Dux: Effigy and Rhetoric

(10)

Hartmut Krohm

Tilman Riemenschneider's Kaisergrab: Type and Program

(14)

Iris Kalden-Rosenfeld

A Newly Discovered Virgin and Child in Wurzburg

(12)

Claudia Lichte

III. GIVE AND TAKE

Tilman Riemenschneider and the Tradition of Alabaster Carving

(18)

Timothy B. Husband

Taste and Fashion in German Sculpture

(16)

Till-Holger Borchert

Riemenschneider and the Graphic Arts

(14)

Fritz Koreny

IV. THE SPECIFICS OF SCULPTURE

Polychrome or Not? That Is the Question

113

(12)

Eike Oellermann

New Findings on the Original Surface Treatment of the Munnerstadt Altarpiece

125

(6)

Rudolf Gobel

Christian-Herbert Fischer

Riemenschneider's Use of the Decorative Punch in Unpolychromed Sculpture

131

(18)

Michele Marincola

Two Groups from Riemenschneider's Early Passion Altarpiece

149

(18)

Axel Treptau

Niclaus Gerhaert von Leiden and Tilman Riemenschneider as Stone Sculptors

167

(12)

Bodo Buczynski

V. RIEMENSCHNEIDER'S AFTERLIFE

A Fragile Legacy: Wurzburg's Sculpture after Riemenschneider

179

(24)

Jeffrey Chipps Smith

History, Fiction, Memory: Riemenschneider and the Dangers of Persuasion

203

(12)

Keith Moxey

The Making and Taking of Self-Portraits: Interfaces Carved between Riemenschneider and His Audiences

215

(20)

Corine Schleif

References

235

(13)

Contributors

248

(4)

Index

252

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