Tombs of the Ancient Poets Between Literary Reception and Material Culture

Tombs of the Ancient Poets explores the ways in which the tombs of the ancient poets - real or imagined - act as crucial sites for the reception of Greek and Latin poetry. It draws together a range of examples, the collection makes a distinctive contribution to the study of literary reception by focusing on the materiality of the body and the tomb, and the ways in which they mediate the relationship between classical poetry and its readers. From the tomb of the boy poet Quintus Sulpicius Maximus, which preserves his prize-winning poetry carved on the tombstone itself, to the modern votive offerings left at the so-called 'Tomb of Virgil'; from the doomed tomb-hunting of long-lost poets' graves, to the 'graveyard of the imagination' constructed in Hellenistic poetry collections, the essays collected here explore the position of ancient poets' tombs in the cultural imagination and demonstrate the rich variety of ways in which they exemplify an essential mode of the reception of ancient poetry, poised as they are between literary reception and material culture.

Nora Goldschmidt, Associate Professor of Classics, Durham University, Barbara Graziosi, Professor of Classics, Durham University

Nora Goldschmidt is Associate Professor of Classics at Durham University. She is the author of Shaggy Crowns: Ennius' Annales and Virgil's Aeneid (Oxford University Press, 2013) and is currently completing a monograph on fictional biography and the reception of Latin poetry, Afterlives of the Roman Poets: Biofiction and the Reception of Latin Poetry (under contract with Cambridge University Press).

Barbara Graziosi is Professor of Classics and Head of Department at Durham University. Her most recent monographs are The Gods of Olympus: A History (Profile Books, 2014) and Homer (Oxford University Press, 2016). She recently completed a major research project, funded by the European Research Council, on visual and narrative portraits of the ancient Greek and Roman poets, entitled Living Poets: A New Approach to Ancient Poetry. This volume stems from that project.

Frontmatter
List of Illustrations
List of Abbreviations
List of Contributors
0. Introduction, Nora Goldschmidt and Barbara Graziosi
Part I: Material Texts, Textual Materials
1. Silent Bones and Singing Stones: Materializing the Poetic Corpus in Hellenistic Greece, Verity Platt
2. Simonides on Tombs, and the 'Tomb of Simonides', Richard Rawles
3. Ennius' imago between Tomb and Text, Francesca Martelli
4. A Portrait of the Poet as a Young Man: The Tomb of Quintus Sulpicius Maximus on the Via Salaria, Valentina Garulli
5. Ovid's Tombs: Afterlives of a Poetic corpus, Nora Goldschmidt
Part II: The Poet as Character
6. Earth, Nature, and the Cult of the Tomb: The Posthumous Reception of Aeschylus' heros, Emmanuela Bakola
7. Tombs of the Poets' Minor Characters, Peter Bing
8. Still Singing: The Case of Orpheus, Barbara Graziosi
Part III: Collecting Tombs
9. Poets' Corners in Greek Epigram Collections, Regina Hoschele
10. Impermanent Stones, Permanent Plants: Tombs of Poets as Material Objects in the Palatine Anthology, Silvia Montiglio
11. Pausanias' Dead Poets Society, Johanna Hanink
Part IV: The Tomb of Virgil
12. Dead Letters and Buried Meaning: Approaching the Tomb of Virgil, Andrew Laird
13. The Tomb of Virgil between Text, Memory, and Site, Irene Peirano Garrison
14. Virgil's Tomb in Scholarly and Popular Culture, Harald Hendrix
15. Ruins and Reputations: The Tomb of the Poet in Visual Art, Sam Smiles
Endmatter
Bibliography
Index