TransLatin Joyce Global Transmissions in Ibero-American Literature

In a near-perfect convergence of international academic and market interests, middlebrow and highbrow print cultures, modernist and postmodernist aesthetics, Cold War hegemonies and decolonization struggles, and cosmopolitan and postcolonial agendas, James Joyce became a key point of reference in the writings of Iberian and Ibero-American pre-boom, boom, and post-boom authors. TransLatin Joyce proposes new ways of addressing the following question: What can the study of the routes and rates of circulation of James Joyce's work in the Ibero-American or the intra-Latino literary systems teach us about the cartographies of peripheral modernism on the global scale? Based on new in-depth archival findings and close textual readings, this exciting collection of nine essays argues that Joyce's legacy is at present best valued and understood from the vantage point of postcolonial writing in Spanish and Portuguese.

Brian L. Price is Associate Professor of Spanish at Wake Forest University, USA.
 
César A. Salgado is Associate Professor of Spanish at the University of Texas at Austin, USA.
 
John Pedro Schwartz is Assistant Professor of English at the American University of Beirut, Lebanon.

Introduction: The Global Paradigm in Fourth-Wave Ibero-American Criticism on James Joyce; Brian L. Price, César A. Salgado, John Pedro Schwartz

PART I: THE IBERIAN PENINSULA
1.Re-creating Ulysses across the Pyrenees: Antonio Marichalar's Spanish-European Critical Project; Gayle Rogers.
2. The Geopolitics of Modernist Impersonality: Pessoa's Notes on Joyce; John Pedro Schwartz
PART II: ARGENTINA
Between Wandering Rocks: Joyce's Ulysses in the Argentine Culture Wars; Norman Cheadle
"The cracked looking glass of the servants": Joyce, Arlt (and Borges); Francine Masiello
PART III: CUBA
Detranslating Joyce for the Cuban Revolution: Edmundo Desnoes' 1964 edition of Retrato del artista adolescente; César A. Salgado
Replaying Joyce: Echoes from Ulysses in Severo Sarduy's Auditory Imagination; Paula Park
PART IV: MEXICO
A Portrait of the Mexican Artist as a Young Man: Salvador Elizondo's Dedalean Poetics; Brian L. Price
Mexican Antimodernism: Ulysses in Gustavo Sainz's Obsesivos días circulares; José Luis Venegas
Crediting the Subject, Incorporating the Sheep: Cristóbal Nonato as the New Creole Ulysses?; Wendy B. Faris