White Writers, Race Matters Fictions of Racial Liberalism from Stowe to Stockett

What explains the enduring popularity of white-authored protest fiction about racism in America? How have such books spoken to the racial crises of their time, and why do they remain important in our own era? White Writers, Race Matters explores these questions and the controversies they raise by tracking this tradition in American literary history. Dating back to Uncle Tom's Cabin, the genre includes widely-read and taught works such as Huckleberry Finn and To Kill a Mockingbird along with period best-sellers now sometimes forgotten. This history also takes us to Hollywood, which regularly adapted them into blockbusters that spread their cultural influence further as well as incited debates over their politics. These novels strive to move readers emotionally toward ethical transformation and practical action. Their literary forms, styles and plots derive from the cultural work they intend to do in educating the minds and hearts of those who, in James Baldwin's words, "think they are white"--indeed, in making the social construction of that whiteness readable and thus more susceptible to reform. Each chapter provides a case study combining biography, historical analysis, close reading, and literary theory to map the significance of this genre and its ongoing relevance. This tradition remains vital because every generation must relearn the lessons of antiracism and formulate effective cultural narratives for transmitting intellectual and affective tools useful in fighting injustice.

Gregory S. Jay is Professor of English, University Wisconsin--Milwaukee.

Introduction

Chapter 1: Sympathy in Action: Stowe, Twain, and the Origins of Liberal Race Fiction
Chapter 2: How It Feels to be a Trade-mark: Fannie Hurst's Imitation of Life
Chapter 3: Jew Like Me: Empathy and Antisemitism in Laura Zametkin Hobson's Gentleman's Agreement
Chapter 4: Desegregating Liberalism: Radical Identifications in Lillian Smith's Strange Fruit and Killers of the Dream
Chapter 5: Queer Children and Representative Men: Harper Lee's To Kill a Mockingbird
Chapter 6: Speaking of Abjection: White Writing and Black Resistance in Kathryn Stockett's The Help

Afterword
Endnotes
Works Cited