Women and Film: Both Sides of the Camera

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ISBN: 9780203135310 | 0203135318
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Copyright: 6/1/2002

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"Written with unequivocal enthusiasm for film, feminism and theory, "Women and Film" is a welcome and useful guide to a complex area."--"The Arts" This title available in eBook format. Click here for more information.Visit our eBookstore at: www.ebookstore.tandf.co.uk.

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Preface	p. viii
Acknowledgements	p. x
Introduction	p. 1
The Classical and Contemporary Hollywood Cinema	p. 21
Is the Gaze Male?	p. 23
Patriarchy and the Male Gaze in Cukor's Camille (1936)	p. 36
Fetishism and the Repression of Motherhood in Von Sternberg's Blonde Venus (1932)	p. 49
The Struggle for Control over the Female Discourse and Female Sexuality in Welles's Lady from Shanghai (1946)	p. 60
Forms of Phallic Domination in the Contemporary Hollywood Film: Brooks's Looking for Mr Goodbar (1977)	p. 73
The Independent Feminist Film	p. 83
The Avant-Gardes in Europe and the USA	p. 85
Silence as Female Resistance in Marguerite Duras's Nathalie Granger (1972)	p. 91
Female Politics in the Symbolic Realm: Von Trotta's Marianne and Juliane (The German Sisters) (1981)	p. 104
The American Experimental Woman's Film: Yvonne Rainer's Lives of Performers and Film about a Woman Who...(1972-4)	p. 113
The Realist Debate in the Feminist Film: a Historical Overview of Theories and Strategies in Realism and the Avant-Garde Theory Film (1971-81)	p. 125
The Avant-Garde Theory Film: Three Case Studies from Britain and the Usa: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)	p. 142
Mothers and Daughters in Two Recent Women's Films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-Rite (1978)	p. 171
The Woman Director in the Third World: Sara Gomez's One Way or Another (1974)	p. 189
The Future of the Independent Feminist Film: Strategies of Production, Exhibition, and Distribution in the USA	p. 195
Conclusion: Motherhood and Patriarchal Discourse	p. 200
Notes	p. 207
Appendix for Teachers	p. 237
Bibliography	p. 242
Name Index	p. 253
Subject Index	p. 257
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Women and Film: Both Sides of the Camera

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