Writing in Dante's Cult of Truth

Using the works of Dante as its critical focus, Mariacute;a Rosa Menocalrs"s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations. Beginning with a reading ofLa vita nuovaand theCommedia,this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author ofLe mie prigioni.By blending discussions of Danters"s own marriage of literature and literary history with those investigations into the imitative qualities of later works,Writing in Danters"s Cult of Truthpresents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.