Your Screenplay Sucks! : 100 Ways to Make It Great
, by Akers, William M.- ISBN: 9781932907452 | 1932907459
- Cover: Paperback
- Copyright: 8/1/2008
Acknowledgments | p. xii |
Introduction | p. xiii |
Storytelling | |
Idea | |
You have not written something you care about! | p. 4 |
Your idea isn't vibrating with originality! | p. 7 |
You picked the wrong genre! | p. 11 |
Your story is only interesting to you! | p. 12 |
Your story is about miserable people who are miserable the whole time and end miserably! Or worse!! | p. 14 |
You haven't spent enough time thinking up a fantastic title! | p. 15 |
Character | |
You picked the wrong main character! | p. 18 |
You haven't constructed your main character correctly! | p. 21 |
You are not specific about EVERYTHING when you create a character! | p. 26 |
You haven't made "place" a character in your story! | p. 27 |
We have no rooting interest in your hero! | p. 29 |
Your opponent is not a human being! | p. 31 |
Your Bad Guy isn't great! | p. 32 |
The opponent is not the hero's agent of change! | p. 34 |
The Bad Guy doesn't feel he's the hero of his own movie! | p. 35 |
You don't give your bad guy a Bad Guy Speech! | p. 36 |
Your characters do stupid things to move the story forward, a.k.a. they do stuff because you make them! | p. 38 |
Your minor characters don't have character! | p. 41 |
Structure | |
You worried about structure when you came up with your story! | p. 43 |
You don't have enough tension! | p. 44 |
You have no time pressure! | p. 47 |
You don't give the reader enough emotion! | p. 48 |
You bungled your story structure! | p. 51 |
You have not done, and then redone, and REDONE, a one-line outline! | p. 63 |
You have not done a "random thoughts" outline! | p. 65 |
You have not used the Kerith Harding Rule of Drama! | p. 70 |
Your B story does not affect your A story! | p. 72 |
You don't use Set Up and Pay Off to your advantage! | p. 73 |
You haven't buried exposition like Jimmy Hoffa! | p. 76 |
You don't withhold surprises until as late as possible! | p. 78 |
Scenes | |
You haven't pounded each scene enough! | p. 80 |
Your scenes don't turn the action! | p. 85 |
You don't have enough reversals! | p. 89 |
You have not shouted at each scene, "How can I jack up the conflict?!" | p. 91 |
You have not used the incredible power of rhyming scenes to your advantage! | p. 93 |
You haven't cut the first and last lines from as many scenes as possible! | p. 94 |
Your character does research when she could be talking to somebody! | p. 102 |
Your characters talk on the phone too much! | p. 103 |
You have not made every scene memorable! | p. 104 |
Dialogue | |
You don't keep a log of overheard dialogue! | p. 106 |
You haven't separated the characters' voices! | p. 107 |
You haven't worked your dialogue hard enough! | p. 111 |
You didn't A-B the dialogue! | p. 114 |
You have Q & A dialogue! | p. 115 |
You have characters speaking text but not subtext! | p. 117 |
You did too much research! | p. 119 |
You didn't do enough research! | p. 120 |
Physical Writing | |
Welcome to Writing | |
You aren't educated in your chosen storytelling medium! | p. 128 |
You're using the wrong writing instrument! | p. 130 |
Your prose is not CRYSTAL CLEAR! | p. 132 |
Format | |
You don't understand screenplay format! | p. 138 |
You have naked sluglines or no sluglines at all! | p. 154 |
You over-direct your actors! | p. 157 |
You use parentheticals wrong! | p. 158 |
Characters | |
You change character names on us! | p. 162 |
Too many of your characters have names! | p. 163 |
Character names begin with the same letter! or WORSE, they RHYME! | p. 164 |
You do not describe main characters with a concise, telling, two (or so) sentence character description! | p. 168 |
Scene Description | |
You use novelistic language! | p. 171 |
You poisoned your scene description with "to be"! | p. 173 |
You haven't cut as many "thes" and "thats" as possible! | p. 175 |
You don't put the most important word at the end of the sentence! | p. 177 |
You describe dialogue in scene description! | p. 179 |
You have not paid attention to image order in scene description! | p. 180 |
You haven't cut scene description to the bone! | p. 185 |
Rewriting | |
Don't repeat! Anything! Ever! | p. 195 |
You rewrite while you write! | p. 199 |
You do a rewrite by reading the whole script at once! | p. 200 |
You don't have a killer first page! | p. 202 |
You blew your first ten pages! ARGGGGGHHHH! | p. 210 |
You haven't ripped out the first twenty pages! | p. 216 |
You haven't cut every bit of extraneous action! | p. 217 |
You think your first (or ninth) draft is perfect! | p. 223 |
Picky, Picky, Picky | |
You don't know the meaning of every word in your script! | p. 227 |
You use numbers instead of words! | p. 229 |
You call shots! | p. 230 |
You call specific songs! | p. 231 |
You didn't run your spellcheck, you moron! | p. 232 |
You trust your spellcheck! Ah haa ha haaa ha ha! | p. 236 |
You think longer is better! | p. 237 |
You didn't read your script out loud! | p. 238 |
You used a crummy printer! | p. 239 |
What Now? | |
Don't Be a Jackass, Be Professional | |
You want to be famous more than you want to write! | p. 244 |
You think your script is special and rules don't apply! | p. 246 |
You put the wrong stuff on your title page! | p. 247 |
You haven't done a table read! | p. 251 |
You're dying to send the script out before you're really, really ready! | p. 252 |
The Industry | |
You haven't the first clue how the business works! | p. 255 |
You don't know what time they eat lunch in Hollywood! | p. 258 |
Your sense of entitlement is in overdrive! a.k.a. "Don't fight the notes!" | p. 260 |
You don't know what a decent query letter is! | p. 262 |
You made boneheaded demands in your query letter! | p. 267 |
You don't want to sign their release! | p. 268 |
Angst-O-Rama | |
You think Hollywood will steal your idea! | p. 270 |
You don't understand Hanlon's Razor! | p. 272 |
You don't know the difference between Natalie Merchant and Patti Smith! | p. 273 |
You don't know you can write your way out of a hole! | p. 274 |
You don't know how to get an agent! | p. 276 |
You get excited when they say they like it! | p. 279 |
You're confusing hope with denial! | p. 280 |
Fading Out | p. 282 |
About the Author | p. 287 |
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