Marina Tsvetaeva: Language and the Labyrinth of Letters
40
(29)
Muttersprache and Orpheus
40
(7)
Against Theater
47
(3)
The Subject of Tragedy
50
(3)
Fedra: Labyrinths, Dreams, and Letters
53
(12)
The Difference of Fedra
65
(4)
Marguerite Yourcenar: Negotiating a Feminine Authorial Self
69
(39)
Flight from the Feminine
69
(9)
Voice and Gaze
78
(3)
Monologue and Dialogue
81
(3)
Theater: A Labyrinth of Voices
84
(1)
Qui n'a pas son Minotaure?---Histories of a Play
85
(2)
Ariane et l'aventurier and Qui n'a pas son Minotaure?
87
(6)
Beyond Allegory
93
(6)
The Approach to Greek Myth and Tragedy
99
(5)
Return to the Feminine: Paratexts
104
(2)
The Labyrinth of the World
106
(2)
H.D.'s Hippolytus Temporizes: Temporizing with Gender
108
(38)
Contexts of Hippolytus Temporizes
108
(2)
The Matrix of Poetry
110
(5)
Hippolytus Temporizes and the Troubles of Gender
115
(1)
H.D.'s Version of Euripides' Hippolytus
116
(2)
Misperformance of Gender in No-Man's Land
118
(14)
Love and Death in No-Man's Land
132
(3)
Interpreting a Body
135
(6)
Interpretations of Hippolytus Temporizes
141
(4)
Temporizing and the Resistance to Gender
145
(1)
Conclusion: Resolution and Dissolution
146
(9)
Notes
155
(38)
Bibliography
193
(20)
Index
213
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