Art Beyond the West

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ISBN: 9780131751521 | 0131751522
Cover: Paperback
Copyright: 6/29/2006

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For Non-Western Art, Humanities, or Culture and Religion courses. This one-volume survey provides students with detailed and systematic coverage of Non-Western art via coverage of the cultural and ideological contexts in which art was created. Michael Kampen-Ors"Riley created this text to serve as the marketrs"s first dedicated survey of Non-Western art. Rather than mere descriptions of the various styles, Kampen-Ors"Riley provides detailed analysis of each major style within its cultural context, through which students can derive the meaning of works of art in each style. The text also provides students with an efficient educational tool with which to study art from nearly two thirds of the world.

Introduction: Art beyond the West

(8)

Art History and Art Beyond the West

(2)

Art and Cultural Values

(1)

History and the Sacred

(4)

Western and Central Asia

(34)

Introduction

(1)

Muhammad and Early Islamic Thought

(3)

The Qur'an and Islamic Art

Time Chart

(4)

The Sasanian Persians and Early Islam

(2)

Byzantium and the Umayyad Caliphate (661--750 CE)

(5)

Jerusalem: The Dome of the Rock

(2)

The Hypostyle Mosque

(1)

Damascus: The Great Mosque

(1)

Pleasure Palaces and Secular Art

(1)

The Abbasid Caliphate (750--1258)

(3)

Baghdad and Samarra

(3)

Iran and Central Asia

(11)

The Saljuq Dynasty (1038--1194)

(2)

The Ilkhans (1258--1335)

(1)

The Timurids (1370--1501)

(3)

The Turkomans (1380--1508)

(1)

The Safavid Dynasty (1501--1722)

(3)

Textiles

(2)

Anatolia and the Ottoman Turks (1453--1574)

(5)

Mehmed II and Hagia Sophia

(1)

Suleyman The Magnificent and Selim II

(4)

Summary

Boxes

Materials and techniques: Byzantine and Islamic Mosaics

(11)

In context: Persian Poetry and Painting

(5)

Materials and techniques: Islamic Carpets

(9)

India and Southeast Asia

(46)

Time Chart

(1)

Introduction

(2)

The Indus Valley

(2)

The Aryan Migrations and the Vedic Period (1500--322 BCE)

(1)

Buddhist Art

(17)

The Maurya Period (322--185 BCE)

(1)

The Shunga Period (185-72 BCE and Early Andhra Period (70 BCE-First Century CE)

(6)

The Kushan Period (30--320 CE) and Later Andhra Period (First Century-320 CE)

(1)

The Gupta Period (320--500 CE)

(2)

The Spread of Buddhist Art

(1)

Afghanistan

(1)

Nepal and Tibet

(1)

Sri Lanka

(2)

Burma

(1)

Indonesia

(1)

Hindu Art

(9)

Hindu Art and Architecture in Southern India

(5)

Hindu Art and Architecture in Northern India

(2)

The Spread of Hindu Art

(1)

Jain Art and Architecture

(2)

Islamic India

(6)

The Taj Mahal

(1)

Late Hindu Art in India

(1)

Colonial India

(4)

Summary

Boxes

Religion: Buddhism

(16)

Religion: Hinduism

(3)

Analyzing Art and Architecture: The Hindu Temple: Symbolism and Terminology

(4)

Religion: Jainism

(15)

China

100

(50)

Introduction

100

(3)

Time Chart

103

(2)

The Neolithic Period (C. 7000--2250 BCE)

105

(1)

The Xia Dynasty (C. 2205-1700 BCE) and Shang Dynasty (C. 1700--1045 BCE)

106

(3)

The Zhou Dynasty (1045--480 BCE)

109

(1)

The Period of Warring States (480--221 BCE) And the Qin Dynasty (221--206 BCE)

110

(3)

The Tomb Complex of Qin Shihhuangdi

111

(2)

The Han Dynasty (206 BCE-220 CE)

113

(4)

The Tomb of the Lady of Dai

114

(1)

The Wu Family Tombs

115

(1)

The Cult of Sacred Mountains and the Boshan Lu

116

(1)

The Period of Disunity: Six Dynasties (220-589 CE)

117

(5)

The Wei Dynasty in Northern China (388-535 CE)

117

(1)

Painting and Calligraphy

118

(4)

The Sui Dynasty (589--618 CE) and The Tang Dynasty (618--907 CE)

122

(3)

Painting

123

(2)

The Five Dynasties (907--960 CE) and the Northern Song (960--1127) and

Southern Song Dynasties (1127--1279)

125

(2)

Painting

127

(2)

Ceramics

129

(1)

The Yuan Dynasty (1279--1368)

130

(3)

Painting

131

(2)

The Ming Dynasty (1368--1644)

133

(4)

Ceramics

133

(1)

Lacquer

134

(1)

Painting

135

(2)

The Qing Dynasty (1644--1911)

137

(8)

Architecture and Gardening

137

(3)

Sculpture

140

(1)

Painting

141

(4)

Modern China (from 1911)

145

(12)

Summary

157

Boxes

In context: Chinese Writing

107

(1)

Materials and techniques: Chinese Piece-mold Casting

108

(12)

In context: Xie He and His Canons of Painting

120

(6)

Religion: Chan (Zen) Buddhism, Enlightenment, and Art

126

(5)

Cross-cultural contacts: Marco Polo and the Mongol Court

131

(3)

Materials and techniques: Porcelain

134

(4)

Analyzing Art and Architecture: Feng Shui

138

(5)

Cross-cultural contacts: Europe and Chinoiserie

143

(7)

Japan and Korea

150

(54)

Time Chart

151

(1)

Introduction

151

(1)

The Jomon Period (c. 12,000/10,500-300 BCE) And Yayoi Period (300 BCE-300 CE)

152

(1)

The Kofun Period (300-710 CE)

153

(5)

Burial Mounds

154

(1)

Shinto and Shrines

154

(4)

Korea: The Three Kingdoms Period (57 BCE-688 CE)

158

(1)

The Asuka Period (552-645 CE) And Hakuho Period (645-710 CE)

159

(2)

Temples and Shrines

160

(1)

The Nara Period (710-794 CE)

161

(3)

Architecture

163

(1)

The Heian Period (794-1185)

164

(5)

Esoteric Buddhist Art

164

(1)

Pure Land Buddhist Art

165

(1)

Architecture

165

(1)

Literature, Calligraphy, and Painting

166

(3)

Koryo Korea (918-1392) And Kamakura Period (1185-1333)

169

(4)

Painting

169

(1)

The Shoguns, Daimyo, and Samurai

170

(2)

Sculpture

172

(1)

Koryo: Korea

172

(1)

The Muromachi (Ashikaga) Period (1392-1573)

173

(3)

Painting

174

(1)

Zen Gardens

175

(1)

The Momoyama Period (1573-1615)

176

(8)

Architecture and Painted Screens

178

(3)

The Tea Ceremony: Architecture and Ceramics

181

(3)

Scroll Painting and Calligraphy

184

(1)

The Tokugawa (EDO) Period (1615-1868)

184

(6)

Architecture

185

(2)

Drawing and Everyday Life in Korea

187

(1)

Printmaking and the Ukiyo-e Style in Japan

188

(1)

Utamaro

188

(1)

Hokusai

189

(1)

The Meiji Restoration (1868-1912)

190

(5)

Printmaking and Painting

191

(4)

The Modern Period (From 1912)

195

(6)

Architecture

195

(1)

Painting, Film, and Video

196

(5)

Summary

201

Boxes

Religion: Zen Buddhism

173

(3)

In context: Japanese Poetry and Drama

176

(1)

Cross-cultural contacts: Westerners and Christianity in Japan

177

(12)

Materials and techniques: Japanese Woodblock printing

189

(3)

Analyzing Art and Architecture: Van Gogh and Japonisme

192

(12)

The Pacific

204

(30)

Time Chart

205

(1)

Introduction

205

(2)

Australia

207

(2)

Dreaming: The Spiritual World

207

(1)

Mimi and the ``X-ray'' Style

208

(1)

Recent Aboriginal Painting

208

(1)

Melanesia

209

(5)

New Guinea

210

(1)

Papua: The Sepik River Area

210

(2)

Irian Jaya: The Asmat

212

(1)

New Ireland: The Malanggan

213

(1)

Micronesia

214

(3)

Pohnpei: The Ceremonial Complex of Nan Madol

214

(1)

Architecture in the Mariana and Caroline Islands

215

(1)

Textiles

216

(1)

Polynesia

217

(13)

French Polynesia: Tahiti and the Marquesas

217

(2)

Western Polynesia: Tonga and Samoa

219

(2)

Hawaii

221

(1)

Sculpture and Featherwork

221

(2)

Easter Island

223

(1)

New Zealand: The Maori

224

(2)

The Te Hau-ki-Turanga Meeting House

226

(3)

Colonial and Postcolonial New Zealand

229

(1)

Summary

230

Boxes

In context: The Spread of Art and Culture in the Pacific

206

(15)

Cross-cultural contacts: Paul Gauguin and Polynesia

221

(6)

In context: Maori Images of ``Art,'' ``Artist,'' and ``Art Criticism''

227

(7)

Africa

234

(36)

Time Chart

235

(1)

Introduction

235

(2)

The History of African Art History

237

(1)

African Prehistory

238

(2)

Southern Africa

240

(3)

The Earliest Southern African Art

241

(1)

Great Zimbabwe

241

(2)

East Africa

243

(2)

Makonde and Giryama

243

(1)

Rwanda

244

(1)

Ethiopia

245

(1)

Central Africa

245

(2)

Chokwe and Kongo

246

(1)

West Africa

247

(17)

Nigeria

247

(1)

Nok

247

(1)

Ile-Ife

248

(3)

Benin

251

(5)

The Modern Yoruba and Their Neighbors

256

(4)

Cameroon

260

(2)

Mali and Mauritania

262

(2)

Cote d'lvoire and Liberia

264

(1)

The African Diaspora And African-American Folklore Art

264

(3)

Summary

267

Boxes

Methodology: What is an Authentic African Work of Art?

236

(2)

In context: Artists and Attributions

238

(1)

Cross-cultural contacts: Pablo Picasso and African Art

239

(1)

Analyzing Art and Architecture: Primitivism: An Art-historical Definition

240

(9)

Materials and techniques: Lost Wax Metal Casting

249

(2)

Analyzing Art and Architecture: Yoruba Aesthetics

251

(19)

The Americas

270

(68)

Introduction

270

(2)

South America: The Central Andes

272

(3)

Time Chart South America

275

(10)

Chavin de Huantar

274

(1)

Paracas and Nazca

275

(3)

Tiahuanaco and Huari

278

(1)

Moche and Chanchan

279

(2)

The Inca

281

(1)

Cuzco

282

(1)

Machu Picchu

283

(2)

Post-conquest Cuzco

285

(1)

Mesoamerica

285

(1)

Time Chart Mesoamerica

286

(24)

Preclassic Art: The Olmecs

286

(2)

Classic Art

288

(1)

The Maya

288

(1)

Xibalba and Maya Painting

289

(4)

Xibalba and Maya Architecture

293

(1)

Tikal

293

(1)

Palenque

294

(1)

Copan and Bonampak

295

(2)

Classic Mexico

297

(5)

Postclassic Art

302

(2)

The Mixtecs

304

(1)

The Aztecs

304

(6)

North America

310

(2)

Time Chart North America

312

(21)

The Eastern and Southeastern United States

313

(1)

The Adena and Hopewell Styles

313

(2)

The Mississippi Period and the Southern Cult

315

(2)

The Northwest Pacific Coast

317

(1)

Haida Totem Poles

317

(3)

The Tlingits

320

(1)

The Great Plains

321

(5)

The Southwestern United States

326

(1)

The Pueblos

327

(3)

The Navajo

330

(3)

Native American Art in the Twentieth Century

333

Boxes

In context: Shamanism and the Arts

272

(4)

Materials and techniques: Fiber Art and Weaving

276

(4)

In context: The Lord of Sipan

280

(20)

Analyzing Art and Architecture: Teotihuacan: City Planning, Pragmatics, and Theology

300

(8)

Analyzing Art and Architecture: Diego Rivera, Frida Kahlo, and Aztec Culture

308

(4)

Methodology: Terminology

312

(7)

Analyzing Art and Architecture: A Formal Analysis of the Northwest Pacific Coast Style

319

(6)

Materials and techniques: Basketmaking

325

(1)

Materials and techniques: Beadwork

326

(5)

Cross-cultural contacts: Two Pueblo Clay Artists

331

(7)

Art without Boundaries

338

(1)

Introduction

338

(1)

The New Geography

338

(1)

The New Internationalism

339

(2)

Expressing New Geographies And Ideologies

341

(1)

Ideology And The Built Environment

341

(2)

``Returnee'' Artists

343

(2)

Artists And the State

345

(2)

East And West

347

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Art Beyond the West

Summary

Author Biography

Table of Contents

Supplemental Materials