Aerial Environments on the Early Modern Stage Theatres of the Air, 1576-1609

During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significance of that elemental relationship.

Aerial Environments on the Early Modern Stage considers the various ways in which the air is brought into presence within early modern drama, analyzing more than a hundred works that were performed at the London open-air playhouses between 1576 and 1609, with reference to theatrical atmospheres and aerial encounters. It explores how various theatrical effects and staging strategies foregrounded early modern drama's relationship to, and impact on, the actual playhouse air. In considering open-air drama's pervasive and ongoing attention to aerial imagery, actions, and representational strategies, the book suggest that playwrights and their companies developed a dramaturgical awareness that extended from the earth to encompass and make explicit the space of air.

Chloe Kathleen Preedy, Senior Lecturer in Shakespeare and Renaissance Literature, University of Exeter

Chloe Kathleen Preedy is a Senior Lecturer in Shakespeare & Renaissance Literature at the University of Exeter. She is the author of Marlowe's Literary Scepticism: Politic Religion and Post-Reformation Polemic (2013), which won the Roma Gill Prize in 2015. Her current publication projects include a co-edited special issue of Performance Research on the air's presence in contemporary performance; a co-edited volume on Thomas Nashe's authorial performances; and, with Professor William Sherman, a forthcoming Arden edition of Christopher Marlowe's The Jew of Malta. She is a principal investigator for the AHRC-funded project Atmospheric Theatre: Open-Air Performance and the Environment (2018-21).