Musicology and Sister Disciplines Past, Present, Future: Proceedings of the 16th International Congress of the International Musicological Society, London, 1997

, by Greer, David; Rumbold, Ian; King, Jonathan

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ISBN: 9780198167341 | 0198167342
Cover: Hardcover
Copyright: 2/15/2001

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Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology. These groundbreaking papers represent the outcome of a major musicological conference in 1997, and include contributions from the philosopher Bernard Williams and world-famous mathematician Roger Penrose.

Editor's Foreword

xxix

Introduction

(8)

Julian Rushton

Part I: Keynote Papers

Scholarship, Authenticity, Honesty

(9)

Bernard Williams

The Heritage of Pythagoras: Nineteen to the Dozen

(15)

Roger Penrose

Part II: Round Tables

Round Table 1: Perception and Cognition

Brain and Music: An Electrophysiological Approach

(14)

Mireille Besson

Pascaline Regnault

Perception of Tonal Pitch Space and Tonal Tension

(13)

Lola L. Cuddy

Nicholas A. Smith

The Timing Implications of Musical Structures

(11)

Bruno H. Repp

Listening to a Piece of Music: A Schematization Process Based on Abstracted Surface Cues

(17)

Irene Deliege

Music and Affect: Empirical and Theoretical Contributions from Experimental Psychology

(12)

Carol L. Krumhansl

Strong Experiences of and with Music

100

(9)

Alf Gabrielsson

Siv Lindstrom Wik

Response

109

(2)

John Sloboda

First Response to the Respondent

111

(4)

Eleanor Selfridge-Field

Second Response to the Respondent

115

(3)

Christian Kaden

Round Table 2: Literary Studies

Music and Narrative in Recent Theory

118

(11)

Christopher Butler

`All Russian Music is So Sad': Two Constructions of the Russian Soul, through Literature and Music

129

(10)

Marina Frolova-Walker

Drowning in Music: Ophelia's Death and Feminist Hermeneutics

139

(15)

Heather Hadlock

The Study of Medieval Music: Some Thoughts on Past, Present, and Future

154

(15)

Susan Rankin

The Music of Rhetoric

169

(10)

Elaine Sisman

Round Table 3: Directions in Musicology

Statement

179

(6)

Andrew Dell' Antonio

Statement

185

(6)

Stefano Castelvecchi

Response

191

(4)

Margaret Bent

Response

195

(10)

Suzanne G. Cusick

Response

205

(4)

Annegret Fauser

Response

209

(9)

Ralph P. Locke

Response

218

(3)

Jurg Stenzl

Response

221

(5)

Rose Rosengard Subotnik

Closing Remarks

226

(2)

Andrew Dell' Antonio

Closing Remarks

228

(2)

Stefano Castelvecchi

Round Table 4: Historiography

Music Historiography, Critical Theory, and Other Tales

230

(9)

John Deathridge

The Problem of the French Revolution in Music Historiography and History

239

(12)

Michael Fend

Difficolta della storiografia dell' opera italiana

251

(12)

Fabrizio Della Seta

Collapsing the Dialectic: The Enlightenment Tradition in Music and its Critics

263

(10)

Reinhard Strohm

Round Table 5: Sociology

Music and Sociology: Perspectives, Horizons

273

(15)

Christian Kaden

Ethnomusicology and Music Sociology

288

(11)

Philip V. Bohlman

Musical Practices and Hidden Musicians: A Perspective from Sociology and Anthropology

299

(10)

Ruth Finnegan

Music from an Anthropological Perspective

309

(11)

Volker Kalisch

From Music-Makers to Virtual Singers: New Musics and Puzzled Scholars

320

(11)

Tullia Magrini

Music and Cultural Practices

331

(11)

Peter J. Martin

The Sociology of Music as Self-Critical Musicology

342

(14)

Mario Vieira de Carvalho

Bibliography

356

(11)

Round Table 6: Philosophy

New Music and Philosophy

367

(11)

Lewis Rowell

`Absolute Music' and the `New Musicology'

378

(11)

Peter Kivy

Signs and Transcendence

389

(12)

Eero Tarasti

`Authenticity', `Interpretation', and `Practice': Probing their Limits

401

(8)

Ruth Katz

Response: Four Philosophies of Musical Interpretation

409

(9)

Naomi Cumming

Round Table 7: Cultural Politics

Musicology and Sexuality: The Example of Edward J. Dent

418

(10)

Philip Brett

Beethoven's Ironies

428

(11)

Arthur Nestrovski

Ethnography, Ethnomusicology, and Post-White Theory

439

(18)

Deborah Wong

Part III: Reports on Study Sessions

Music in Tuscany: Past Research and Future Projects

457

(3)

Carolyn Gianturco

The Circulation of Music in Europe 1700-1850

460

(3)

Rudolf Rasch

Music and/as Ethics

463

(1)

The Dating and Chronology of the Works of Josquin des Prez

464

(3)

Eric Jas

a Musicology, Popular Music Studies, and Political Economy; 5b Musicology, Popular Music Studies, and Cultural Geography; 29 Musicology, Popular Music Studies, and the Interpretative Sciences

467

(6)

Dai Griffiths

Berlioz et autour de Berlioz: Un artiste en son temps

473

(3)

Peter Bloom

Portuguese Musical Outreach: Five Centuries

476

(3)

Robert Stevenson

Research in Music Performance: New Methods and Tools

479

(2)

Jose Bowen

Feminist Epistemologies in Ethnomusicology

481

(2)

Elizabeth Tolbert

Musicology and Biography

483

(3)

Philip Olleson

Opera Orchestras in Eighteenth-and Nineteenth-Century Europe

486

(3)

Franco Piperno

The Early Violin

489

(2)

Peter Walls

Auditory Scene Analysis: Future Directions for Musicological Research

491

(2)

Maria Anna Harley

Chant and Liturgy: Compositional Planning in Liturgical Chant

493

(3)

Roman Hankeln

Music Iconography: Transmission and Transformation of Symbolic Images

496

(2)

Ann Buckley

Repertory and Canon: The Dynamics of Canon Formation, 1700-1870

498

(3)

William Weber

Perspectives on Instrumental Music of the Late Fifteenth and Early Sixteenth Centuries

501

(3)

John Kmetz

Keith Polk

Theatrical Dance and Music, 1650-1850

504

(3)

Sarah McCleave

British Music since Britten

507

(2)

Alastair Borthvick

Semiotics, Structural Semantics, Rhetoric: Musical Language Sciences in Contemporary Musicology

509

(3)

Marta Grabocz

Interpreting Performance: Chopin-Playing in Perspective

512

(3)

John Rink

Theorizing the Transnational

515

(2)

Ingrid Monson

Sense and Sonority in Aquitanian Polyphony and the Conductus

517

(1)

The Evolution of Musical Instruments

518

(3)

Laurence Libin

Der Mensuralcodex St Emmeram (Clm 14274): Eine zentrale Quelle fur die Musik Mitteleuropas im 15. Jahrhundert und ihre musikalischen, liturgischen, und theologischen Voraussetzungen

521

(2)

Bernhold Schmid

Opera et melodrame en France, 1800-30: Une enquete sur les genres

523

(3)

David Charlton

Music, Politics; and Patronage in Spanish and Portuguese Dominions in the Early Modern Period

526

(2)

Michael Noone

Chant and Analysis: Where Are We, and Where Do We Go Now?

528

Barbara Haggh

Musicology, Popular Music Studies, and the Interpretative Sciences. See under 5a

468

(62)

Musical Data and Computer Applications

530

(2)

John B. Howard

Keyboard Organology: Past, Present, and Future

532

(3)

John Koster

Kulturelle Traditionen in Mitteleuropa: Musikleben zwischen Zentralismus und regionaler Spezifik am Beispiel der Rolle von Vereinen

535

(3)

Cornelia Szabo-Knotik

Implications for Mainstream Musicology of Recent Research in Music Cognition

538

(3)

Richard Parncutt

La vie musicale sous Vichy, 1940-1944

541

(3)

Myriam Chimenes

Chant and Palaeography

544

(1)

Charles T. Downey

Music between East and West: The Work of Lutoslawski, Penderecki, and Gorecki in the Context of Culture and History

545

(3)

Mieczyslaw Tomaszewski

Musicology and Art History

548

(4)

Tilman Seebass

Theorizing Mixed Media

552

(3)

Nicholas Cook

`To the Ends of the Earth': Refugee Musicians in East Asia and Latin America, 1933-1945

555

(2)

Horst Weber

The History of the Papal Chapel

557

(3)

Richard Sherr

Rapporti tra testo, musica e scena nello spettacolo a Napoli nel Settecento

560

(2)

Franco Carmelo Greco

The Early Sixteenth-Century Organ in England: Its Form, Music, and Place in the Liturgy

562

(3)

John Harper

Contexts for Brass: History, Performance, Culture

565

(3)

Jeffrey Nussbaum

Race and Culture in the Aesthetics of William Grant Still (1895-1978)

568

(3)

Catherine Parsons Smith

Redefining the Low Countries

571

(2)

Karl Kugle

Recent Mozart Research and Der neue Kochel

573

(2)

Neal Zaslaw

Music, Healing, and Culture: Towards a Comparative Perspective

575

(3)

Penelope Gouk

Fascism and Music

578

(2)

Karen Painter

New Methods, New Visions: Computational Initiatives for a New Millennium

580

(5)

John B. Howard

Part IV: Abstracts of Free Papers

Session 1: Liturgy and Homiletics

The Emerging Chant Repertory in Early Roman Sermons and Commentaries (Fifth-Seventh Centuries)

585

(1)

Peter Jeffery

The Influence of Homiletic and Exegetical Literature on the Fleury Lament of Rachel

585

(1)

Susan Boynton

Le vocabulaire de la psalmodie dans la Regle de St Benoit, a la lumiere des donnees musicales traditionnelles

586

(1)

Olivier Cullin

How to Build an Alleluia

586

(1)

Mitchell P. Brauner

History and Liturgy: The Historia of Thomas Becket

586

(1)

Kay Brainerd Slocum

Session 2: The Historiography of Early Music

Towards a Theory of Musical Patronage in the Renaissance and Baroque Eras: A Proposal between Anthropology and Semiotics

587

(1)

Claudio Annibaldi

Inaudible Efforts, Labeur des doigts, and the Monumentalizing Impulse: Towards a Sociology of Musical Auctoritas in Francophone Europe, 1200-1600

587

(1)

Sebastian Klotz

Music in Seventeenth-Century Emblem Books: Mass Manipulation of Cultural Values

588

(1)

Linda Phyllis Austern

Artusi's Rage: Fear and Loathing in the Prima prattica

588

(1)

Vivian S. Ramalingam

`Enemies of Love': Staging Female Excess in Monteverdi's Il ballo delle ingrate

589

(1)

Bonnie Gordon

A Jungian Perspective on Monteverdi's Late Madrigals

589

(1)

Jeffrey Kurtzman

Session 3: Eighteenth-Century Opera

The Rhetoric of the Enlightened Hero: Gender and Operatic Reforms in Early Eighteenth-Century Italy

590

(1)

Wendy Heller

Les editions parisiennes de livrets d' operas et leur contrefacon bruxelloise dans la seconde moitie du XVIIIe siecle

590

(1)

Marie Cornaz

Trembley's Polyp and the Natural History of Opera buffa

590

(1)

Wye J. Allanbrook

Alfieri and the Transformation of Opera seria

591

(1)

Marita P.McClymonds

The London Opera of Joseph Haydn: Loss, Lament, and Lieto fine

591

(1)

Caryl L. Clark

Session 4: Broadcasting and the Media

Opera Studies, Film Studies: Gounod's Faust and the History of Early French Cinema

592

(1)

Rose M. Theresa

`A Spectre-World Cuts Through our Space': Early German Radio Criticism and the Listening Subject

592

(1)

Nathan E. MacBrien

Union Radio: Musica, communicacion e ideologia

592

(1)

Julio Arce Bueno

La zarzuela como material ideologico en el cine y la television 1940-70

593

(1)

Juan P. Arregui

New Music on the New Third: Exploring BBC Music Policies and Practices in the Post-War Decade

593

(1)

Jenny Doctor

When Teaching Ten Thousand was Not Enough: E. Azalia Hackley and African-American Music Journalism

594

(1)

Juanita Karpf

Session 5: Early Polyphony

Is it Polyphony?

594

(1)

Manuel Pedro Ferreira

The Medieval Motet in Occitania and the `Occitanian' Motet

594

(1)

Elizabeth Aubrey

The Study of Pigments in Medieval Manuscripts

595

(1)

Mary E. Wolinski

Secular-Song Tenors and the Fourteenth-Century Motet

595

(1)

Alice V. Clark

Added Contratenors in the Ballades of Guillaume de Machaut

596

(1)

Elizabeth Leach

Session 6: The Sixteenth-Century Tradition

Sacred Music at the Court of Fernando de Aragon, Duke of Calabria: The Context of Barcelona MS 1166/1967 and a `Parody' Mass on Josquin's Inviolata

596

(1)

Bernadette Nelson

Laura, L'aura, Laurels: Strategies of Multiplication in Petrarch and Marenzio

596

(1)

Luminita Aluas

Carnival and Carne vale: Orlando di Lasso and Roman Courtesans

597

(1)

Donna Cardamone Jackson

Music in the Tragedia spirituale

597

(1)

Laura Macy

The Masses Salve regina and O magnum misterium: New Light on Victoria's Parody Technique

597

(1)

Eugene Casjen Cramer

Session 7: Analysis of Nineteenth-Century Music

Registral Direction and Melodic Implication

598

(1)

Zohar Eitan

An Exegesis of the Kyrie from Beethoven's Mass in C, Op. 86

598

(1)

Jeremiah W. McGrann

Nineteenth-Century Hallmark, Theoretical Problem: Third Relations in Schubert's `Unfinished' and Beethoven's `Waldstein'

599

(1)

Suzannah Clark

Rossini as Master of Instrumental Composition: Bonifazio Asioli's Analysis of the Sinfonia from La Cenerentola

599

(1)

Peter A. Hoyt

Brahms the Autumnal: Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104 No.5

599

(1)

Frank Samarotto

Session 8: Methodologies

Ethnomusicologies of the West: Questions of Perspective and Scope

600

(1)

Jonathan Stock

American Musicology and `The Archives of Eden'

600

(1)

Harry White

Problems in the Application of Linguistic/Semiotic Principles to Music

601

(1)

Suk Won Yi

Music in Action: The View from Sociology

601

(1)

Tia DeNora

Queen Elisabeth of Belgium, the A-Bomb and Einstein's Violin: About Pacificism, Pantheism, and the Passion for Music

602

(1)

Willem Erauw

Session 9: The Fifteenth-Century Tradition

The Wedding of Pious and Profane: A Cultural Context for the Chanson Mass

602

(1)

M. Jennifer Bloxam

Musical Life at the Collegiate Church of Saint-Omer, Northern France, c.1460-1504

602

(1)

Andrew Kirkman

The Meaning of Okeghem's Intemerata dei mater

603

(1)

Jeffrey Dean

Obrecht's Anchises: Virgilian Allusion in Mille quingentis

603

(1)

Sean Gallagher

The Controversial Identity of an Iberian Poet-Musician of the Renaissance: `Badajoz el musico'

604

(1)

Emilio Ros-Fabregas

Session 10: Baroque Sacred Music

Music in the Cathedral of Manila: Evidence for the First Two Centuries from the Archdiocesan Archive

604

(1)

William Summers

Modelos de financiacion de musica en las catedrales espanolas: Formas e implicaciones

604

(1)

Javier Suarez-Pajares

Music, Ritual, and the Writings of Teodosio Herrera y Bonilla (1652-1734)

605

(1)

Greta J. Olson

The Sounding City: Urban History and Music in Baroque Jaen

605

(1)

Miguel-A. Marin

Iconografia musical en la tarasca barroca madrilena: Algunos ejemplos representativos

605

(1)

Alicia Gonzalez de Buitrago Garcia

The Interior-Exterior Duality in the Performances of the Musical Ensembles of Granada: Non-Salaried Posts and Extravagantes Performances

606

(1)

Juan Ruiz Jimenez

Session 11: Music and Society in the Nineteenth Century

Salon, Gender, and Musical Culture in Sweden around 1800

606

(1)

Eva Ohrstrom

Chladni as Musician Manque

607

(1)

Kathryn L. Reichard

Byron and the Poetics of Berlioz's `Harold' Symphony

607

(1)

Janet Johnson

`Musica sabia': The Reception of Classical Music in Madrid (c.1830-1870)

607

(1)

Judith Etzion

Four-Hand Transcription: Changing Performing Spaces and Genres

608

(1)

Thomas Christensen

Early Nineteenth-Century Virtuosity and its Public: Power, Gender, and Class in the Concert Hall

608

(1)

James A. Deaville

Session 12: New Music

The Visual Language of American Experimental Music

609

(1)

Nancy Perloff

Roland Barthes's `Text' and Aleatory Music: Is the `Birth of the Reader' the Birth of the Listener?

609

(1)

Jeongwon Joe

Imploding the System: Kagel and the Deconstruction of Modernism

609

(1)

Paul Attinello

Can Literary Criticism Contribute to the Study of Musical Borrowing? The Case of Twentieth-Century Italian Music

610

(1)

Susanna Pasticci

An Object-Orientated Analysis of Twentieth-Century Piano Music

610

(1)

Didier Guigue

Musical-Historical Conceptions in the Light of the Systematic Approach

611

(1)

Elena Markova

Vladimir Mironov

Session 13: Early Theory and Music

Law as a Sister Discipline of Music in the Middle Ages and Renaissance

611

(1)

C. Matthew Balensuela

Time out of Time: Eternity as a Thirteenth-Century Philosophical Issue Exemplified in Music

611

(1)

Nancy van Deusen

Ordo naturalis in Eleventh-Century Theoretical Systems

612

(1)

Gabriella Ilnitchi

Glosses on Music and Grammar and the Advent of Music-Writing in the West

612

(1)

Charles M. Atkinson

Session 14: Music and Society Around 1700

Carnival, Commedia dell' arte and the Paris Opera in the Late Years of the Sun King, 1697-1710

613

(1)

Georgia Cowart

Musicians, Amateurs, and Collectors: Early French Auction Catalogues as Musical Sources

613

(1)

Albert Cohen

Queen Marie Leczinska as Patron of Music: Opera and Chamber Music at the Court of Louis XV

613

(1)

M. Elizabeth C. Bartlet

The Personal Network: A Sociological Approach to `Imported' Villancico Texts and Music Supply at Segovia Cathedral (1650-1700)

614

(1)

Pablo-L. Rodriguez

Collecting and Enlightenment: Musical Instruments in the Natural History Cabinet of Charles III of Spain (1759-88)

614

(1)

Cristina Bordas

Session 15: Nineteenth-Century Topics

Virtue, Reform, and `Pure' Music in Second Empire Paris

615

(1)

Michael Strasser

Felix Mendelssohn Bartholdys geistliche Vokalmusik: Ein Versuch ihrer chronologischen und stilistischen Einordnung

615

(1)

Hiromi Hoshino

The Stornello and its Popularity in Ottocento Italy

615

(1)

Roberta Montemorra Marvin

Apocalypse (Now?): Politics in the Sacred Music of Johannes Brahms

616

(1)

Daniel Beller-McKenna

Orientalism in Borodin's Prince Igor

616

(1)

Firoozeh Khazrai

Canonizing the Dutchman: Wagnerism and Der fliegende Hollander

617

(1)

Stephen McClatchie

Session 16: Technology and Systematic Musicology

Music and Technology

617

(1)

Frank Pecquet

Did Greco-Roman Hydraules have Keyboards?

617

(1)

Eugene L. Szonntagh

The Applicability of Psychological Methods in the Study of Musical Rhythm

618

(1)

Youn Kim

Acoustique musicale et musicologie: L'apport de l' outil acoustique dans l' analyse perceptive

618

(1)

Marie-Cecile Barras

Stochastic Analysis and Music Predictability

618

(1)

Mario H. A. Koppers

Cognitive-Perceptual Effects in Music: Shepard Tones and the Canon per tonos from J. S. Bach's Musical Offering

619

(1)

Denis Collins

Andrew Schloss

Session 17: Gluck and Eighteenth-Century Aesthetics

Retorica e tragedia per musica: L'Iphigenie en Aulide di Gluck (1774)

619

(1)

Alessandra Martina

Gluck's L'Iphigenie en Aulide (1774-5): Reception and Revision

620

(1)

Daniel Heartz

Les reveries renouvelees des Grecs: Facture, Function, and Performance Practice in a Vaudeville Parody of Gluck's Iphigenie en Tauride (1779)

620

(1)

Bruce Alan Brown

Gluck in the Age of Living Reproduction: Fin-de-siecle Critics Speak on `Antiquarian' Opera

620

(1)

Sheryl Zukowski

Romantic Music Aesthetics and its Literary Origins in the Writings of Karl Philipp Moritz

621

(1)

Monika Hennemann

Gothic Architecture and Baroque Polyphony: A Romantic Blend

621

(1)

James Haar

Session 18: The Eighteenth-Century Tradition

Rediscovered East-European Sources of Hasse's Sacred Music

622

(1)

Ernest Harriss II

Reading the Metre: Verse Forms in Oratorio Librettos written for Handel by Charles Jennens and Thomas Morell

622

(1)

Donald Burrows

Musicology, Politics, and Heraldry: The Te deum: A `State Motet' at the Time of Louis XIV and Louis XV

622

(1)

Jean-Paul Montagnier

Riepel, Leibniz, and the Ars combinatoria in Seventeenth-and Eighteenth-Century Musical Thought

623

(1)

Stefan Eckert

Session 19: Early Twentieth Century

Musical Symbolism in the Operas of Debussy and Bartok

623

(1)

Elliott Antokoletz

`Loneliness' and `Love': The Literary Context of Bela Bartok's Bluebeard's Castle

624

(1)

Judit Frigyesi

David: Stravinsky's Music-Hall Ballet

624

(1)

Thomas P. Gordon

`Schonberg ist Theosoph': Anmerkungen zu einer wenig beachteten Beziehung

624

(1)

Beat A. Follmi

Schonbergs Vortragsideal rekonstruiert anhand einer Quelle zu Op.10

625

(1)

Hermann Danuser

Objectifs et methodes d'une hermeneutique de la creation et de la reception musicales

625

(1)

Christian Hauer

Session 20: Ethnology

Interrogating Musicological Otherness in India: Ma'dan-ul-Mausiqi as a `Mine' of Music History

626

(1)

Regula Burckhardt Qureshi

`White Facts about Blacks': Interculturalism, Music Education, and Identity in South Africa

626

(1)

Eduardo Correia

Der Tonartbegriff in der traditionellen turkischen Musik

627

(1)

M. Erturul Bayraktarkatal

Oral Traditions and Performance Practices in the Encyclopedia Jiu gong da chen nan bei ci gong pu, a Collection of Southern and Northern Chinese Songs

627

(1)

Lulu Huang Chang

Objectification of Music and the `Domination of Nature' (Naturbeherrschung): T.W. Adorno's Theory in the Light of Comparative Music Aesthetics

627

(1)

Ayako Tatsumura

The Body in Music

628

(1)

Ramon Pelinski

Session 21: Renaissance Source Studies

Identifying Composer Autographs in Pre-1600 Manuscripts

628

(1)

Jessie Ann Owens

In the Workshop of a Late-Medieval Editor: Johannes Martini and the Manuscript I-MOe α.M.1.13

628

(1)

Murray Steib

The Structure of the Chigi Codex: An Enigma Resolved

629

(1)

Fabrice Fitch

Who is Katherine? The Women of the Berg & Neuber-Gerlach-Kauffmann Printing Dynasty

629

(1)

Susan Jackson

The Printing of the Novum et insigne opus musicum (RISM 1537/1 and RISM 1538/3)

630

(1)

Royston Gustavson

Parthenia: A Paradigmatic Epithalamion

630

(1)

Janet Pollack

Session 22: Opera Around 1700

Comision nobiliaria en la circulacion de la opera italiana en Iberoamerica en los primeros anos del siglo XVIII

630

(1)

Annibale Cetrangolo

A New Source of Seventeenth-Century Spanish Theatre Music from Mexico City

631

(1)

John Koegel

Between the Market and the Public Institution: The First Spanish Opera Company in the Commercial Theatres in Madrid during the Eighteenth Century

631

(1)

Jose-Maximo Leza

Italian Opera and/in Spanish Theatres: Francesco Corradini in Valencia (1727-31)

632

(1)

Andrea Bombi

Sacrilege, Power Politics, and Lese-majeste: The Political Uses of Opera in Eighteenth-Century Gustavian Sweden

632

(1)

Bertil H. van Boer, Jr

Session 23: Twentieth-Century Topics

(Musical) Jugendstil Revisited: Interspecific Conceptual Modelling and the Turn-of-the-Century Peripheral Artsong

633

(1)

Zoltan Roman

The Piano in Gustav Mahler's Um Mitternacht: Invention or Error?

633

(1)

Sue Plumlee Taylor

To the Jew a Foreign Tongue: Mahler's Orchestration as a Sign of Difference

633

(1)

K. M. Knittel

Machine Music

634

(1)

Hugh Macdonald

Rose R. and Emilia Marty: The Representation of the Human Experience of Time in Janacek's The Makropoulos Affair

634

(1)

Francis Maes

Magic, Ritual, and Mystery in the Poetic Conception of Manuel de Falla's Music

635

(1)

Michael Christoforidis

Session 24: Jazz and Pop

What is Jazz, and How Might Scholars Write About It?

635

(1)

Barry Kernfeld

As Fats Waller Tells It: It's a Sin to Tell a Lie

635

(1)

Paul S. Machlin

`We are Not Hurdy-Gurdies': Musicians in a Changing Music World

636

(1)

Philomeen Lelieveldt

Operatic Intersections with Rock Music: Popularizing Opera

636

(1)

Ken McLeod

Punk, Funk, Dub, and Disco: British Post-Funk and the Avant-Garde Groove

637

(1)

Theo Cateforis

Session 25: Seventeenth-Century Topics

Music and Military Virtue in Early Modern France: The Equestrian Ballet

637

(1)

Kate van Orden

Guido Casoni (d.1642) on Love as Music, a Theme for All Seasons

638

(1)

Don Harran

Music of Devotion in Counter-Reformation Rome: Borboni's Musicali concenti

638

(1)

Kimberlyn Montford

Behind the Dragon's Mask: Hidden Political Music of the Restoration

638

(1)

Jo Ann Taricani

Baroque, musique, litterature: La nouvelle espagnole du XVIIe siecle, genre litteraire et source musicologique

639

(1)

Maria Sanhuesa Fonseca

Session 26: Eighteenth-Century Instrumental Music

The String Quartets of Franz Asplmayr and their Relationship to the Development of Haydn's String-Quartet Style

639

(1)

Dennis C. Monk

Trumpets, Feldmusik, Continuity, and Hierarchy: Music and the Imperial Procession during the Reign of Maria Theresia

640

(1)

Janet Page

Empress Marie Therese of Austria as Musician and Musical Patron

640

(1)

John A. Rice

The Hofkapelle under Joseph II and Mozart's Appointment

640

(1)

Dorothea Link

Title, Function, and the Concept of Genre: The Earliest `True' Symphonies

641

(1)

Eugene K. Wolf

Session 27: Nineteenth-Century Opera

Bellini and his Music as Political Symbol

641

(1)

Denise P. Gallo

Mimesis and Hysteria in La muette de Portici

642

(1)

Mary Ann Smart

Issues in the Reception of Meyerbeer's Les Huguenots

642

(1)

Kerry Murphy

Music-Literature-Theatre-History: A New Approach to Nineteenth-Century Czech Opera

642

(1)

Jarmila Gabrielova

`Che bella cosa scrivere a tre voci': Verdi's Use of the Trio Form (Musical, Dramatic, and Aesthetic Conception)

643

(1)

Ursula Kramer

Beyond Exoticism: Cio-Cio-San's Screen and the `Uses of Convention'

643

(1)

Helen Greenwald

Session 28: Transnationalism

Musicology and Missiology

644

(1)

Ann L. Silverberg

Chinese Politics and Western Musicians in China: A Reflection on Contemporary Exchanges versus Experiences of the Eighteenth-Century Musician-Priests

644

(1)

Joyce Z. Lindorff

The Iwakura Mission's Encounters with Western Music and their Consequence

644

(1)

Tatsuhiko Itoh

Russian Roots, American Branches: Music in Cognate Cultures

645

(1)

Margarita Mazo

The History of German-Russian Musical Contact: German Musical Families in St Petersburg from the Second Half of the Nineteenth Century to the Beginning of the Twentieth

645

(1)

Janna Kniazeva

Session 29: Hildegard of Bingen

Interdisciplinary Objects: The Case of Hildegard of Bingen

646

(1)

Honey Meconi

Rhetorical Chant? The Relationship between Music and Text in the Repertory of Hildegard of Bingen

646

(1)

Catherine Jeffreys

Hildegard's Ordo virtutum: Musical Rhetoric and Monastic Education

647

(1)

Margot Fassler

Session 30: Early Dance

Would You Like to Dance this Frottola? Choreographic Concordances in Two Early Sixteenth-Century (Tuscan?) Sources

647

(1)

Barbara Sparti

The Travelling Dance-Band: Patterns of Transmission of Dance and Music in Fifteenth-Century Europe

647

(1)

Jennifer Nevile

The Myth of Stylized Dance

648

(1)

G. Yvonne Kendall

Session 31: Early Twentieth-Century USA

Revising Ives

648

(1)

Philip Lambert

DuBose Heyward's Drafts for the Porgy Story as Cultural Politics

648

(1)

John Andrew Johnson

Ruth Crawford Seeger and John Cage: New Connections between Two American Originals

649

(1)

Teresa Davidian

Session 32: Early Twentieth-Century France

The Symphony as Political Tool in Early Twentieth-Century France

649

(1)

Brian J. Hart

French Political Ideology as `Performative Context': The Concert by World War I

650

(1)

Jane F. Fulcher

Poulenc and the Painters: The Influence of Art and Artists on his Life and Music

650

(1)

Carl B. Schmidt

Session 33: Renaissance Theory

On the One and the Many: Conflicting Ontologies of Sound in Late Fifteenth-Century Music Theory

651

(1)

Leonora Saavedra

Musica theorica und Musica practica im Licht der Studia humanitatis: Astronomie und Medizin als Grundlage und Rechtfertigung fur Franchinus Gaffurius' Proportionendenken

651

(1)

Walter Kurt Kreyszig

Compositio levis et utilis: Simple Formulas as Substitutes for Counterpoint Studies in the Teaching of Composition around 1500

652

(1)

Dietrich Helms

Zwischen der Musiktheorie und Poetik der Renaissance: Decorum

652

(1)

Ryszard J. Wieczorek

Glareanus and Vasari: Two Competing Views of Historical Progress from Late Renaissance Europe

653

(1)

Stefano Mengozzi

Theories, Proof, and Dissent in Spanish Music Theory, 1508-77

653

(1)

Wolfgang Freis

Session 34: Schubert and Song

Schubert Iconography: New and Problematic Issues

653

(1)

Eva Badura-Skoda

Franz Schubert and the Liederspiel: From the Kosegarten Cycle to Die schone Mullerin

654

(1)

Morten Solvik

Schubert's Activities in the `Unsinnsgesellschaft' (1817-18): New Literary and Iconographical Documents

654

(1)

Rita Steblin

Schubert's Free Verse Setting

655

(1)

Jurgen Thym

Die Gedichte der schwabischen Dichterin Friederike Robert in den Vertonungen von Fanny Hensel

655

(1)

Annegret Huber

Performing Purcell's Mad Bess' in Late Eighteenth-and Early Nineteenth-Century England

655

(1)

Robert Toft

Session 35: Music and Literature: Twentieth Century

Indagando la musicalita della poesia di Gabriele d'Annunzio: Il Poema paradisiaco

656

(1)

Marco della Sciucca

Faustus, Mephistopheles...and Gretchen? The Significance of Thomas Mann in the Music of Luigi Dallapiccola 1947-55

656

(1)

Raymond Fearn

Ghost Trio: Musik in Samuel Becketts dramatischem Spatwerk

657

(1)

Michael Maier

`Es lebe Kulturkampf!': Polish Parody Songs from Nazi Concentration Camps

657

(1)

Barbara Milewski

Bret Werb

At Home and Abroad: The Critical Reception of Ethel Smyth's Operas in England and Germany

657

(1)

Elizabeth Kertesz

Alexander Mikhailov as Musicologist

658

(1)

Larissa Kirillina

Session 36: Nationalism

General Histories of Music and the Place of the European Periphery

658

(1)

Melita Milin

Baltic Music-History Writing: Problems and Perspectives

659

(1)

Urve Lippus

La revision de Boris Godounov par le compositeur letton Melngailis (1924): Premiers elements sur une version inconnue de l'opera de Moussorgski

659

(1)

Jean-Marie Jacono

Arnolds Klotins

Some Premisses for the Study of Peripheral Musical Nationalism in the Twentieth Century: Fernando Lopes-Graca and the Problem of Tradition in Contemporary Portuguese Music

659

(1)

Teresa Cascudo

How Musicological and Ethnomusicological is Spanish Flamenco?

660

(3)

Joaquina Labajo

Part V: Abstracts of Poster Sessions

Session 1: Analytical Applications

The Antiphons for the Consecration of Virgins and the Changing Role of Plainchant in the Middle Ages

663

(1)

James Borders

Computer Applications to Sketch Studies: A Database with Image Access for Berg's Sketches for Wozzeck

663

(1)

Patricia Hall

William Koseluk

Multimedia Environments for the Study of Musical Structure

663

(1)

Daniel C. Jacobson

Knowledge-Based Simulations: Technological Tools for Music Research

664

(1)

Deron L. McGee

Toward a Model for Background Motivic Structure

664

(1)

Michael Schiano

Computer Applications and Visual Aids for a Historically Orientated Structural Analysis of Pitches

665

(1)

Rainer Zillhardt

Session 2: New Computer Applications in Musicology

POCO: Tools for Analysing, Modifying, and Generating Performance Expression in Music

665

(1)

Peter Desain

Henkjan Honing

An Adaptive Optical Music Recognition System

666

(1)

Ichiro Fujinaga

Music, Memory, and Time

666

(1)

Petri Toiviainen

Mauri Kaipainen

A Parallel Processing Key-Finding Model: Structure and Applications

666

(1)

Piet G. Vos

Erwin W. Van Geenen

Session 3: Databases

Lessico italiano della didattica vocale

667

(1)

Sergio Durante

Villanelle alla napolitana e canzonette all romana

667

(1)

Marco Giuliani

RISM A/II CD-ROM

668

(1)

Klaus Keil

Hispanic Music Archive and Library Project

668

(1)

Paul R. Laird

Coleccion musical `Fondo Canuto Berea' (archivo y partituras) de la Biblioteca de la Diputaccion Provincial de La Coruna (Espana)

668

(1)

Dolores Liano Pedreira

An Antiphonal from Kranj: Analytical Approach to its Contents

668

(1)

Jurij Snoj

The Grey Collection of the South African Library, Cape Town: Studies of Western Plainchant Sources in South Africa

669

(1)

Carol Steyn

Morne Bezuidenhout

Session 4: Multimedia

Shepherd-Musicians in Catalano-Aragonese Iconography from the Fourteenth and Fifteenth Centuries

669

(1)

Jordi Ballester

How did Harry James Make us Love him?

670

(1)

Michael Meckna

The Third Symphony of Gustav Mahler: Ballet by John Neumeier

670

(1)

Robert Riggs

Mary Riggs

Music Criticism Today

671

(1)

Michael Saffle

The Duangong: A Qiang Shaman

671

(2)

Emma Zevik

Chen Zhong

Acknowledgments

673

(2)

Index of Contributors

675

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Musicology and Sister Disciplines Past, Present, Future: Proceedings of the 16th International Congress of the International Musicological Society, London, 1997

Summary

Table of Contents

Supplemental Materials