Textiles of Indonesia

Drawn from one of the world's leading textile collections, this magnificently presented array of traditional weavings from the Indonesian archipelago provides a unique window into the region's cultures, rites, and history.

Gathered over the course of four decades, the Thomas Murray collection of Indonesian textiles is one of the most important privately owned collections of its type in the world. The objects comprise ritual clothing and ceremonial cloths that tell us much about the traditions of pre-Islamic Indonesian cultures, as well as about the influences of regional trade with China, India, the Arab world, and Europe. As with the earlier volume, Textiles of Japan (Prestel, 2018), the book focuses on some of the finest cloths to come out of the archipelago, presenting each object with impeccable photographs, colors, patterns, and intricate details. Geographically arranged, this volume pays particular attention to textiles from the Batak and the Lampung region of Sumatra, the Dayak of Borneo, and the Toraja of Sulawesi, as well as rare textiles from Sumba, Timor and other islands. Readers will learn about the intricate and highly developed traditions of dyeing, weaving, and beading techniques that have been practiced for centuries, resulting in a breathtaking collection of motifs, patterns, dyes, and adornments. Original texts by leading international experts draw on the latest research to offer historical context, unspool the mysteries behind ancient iconography, and provide new insights into dating and provenance. At once opulent and scholarly, this book arrives at a moment of growing interest in Southeast Asian culture and carries the imprimatur of one of the art world's leading collectors.

Full List of Contributors: Lorraine Aragon, Joanna Barrkman, Chris Buckley, Kristal Hale, Valerie Hector, Janet Alison Hoskins, Itie van Hout, Eric Kjellgren, Fiona Kerlogue, Brigitte Khan Majlis, Robyn Maxwell, Thomas Murray, and Sandra Sardjono.

Thomas Murray is a dealer of Asian and tribal art, with emphasis on antique Indonesian sculpture and textiles. He has been a contributing editor to HALI magazine for almost thirty years, serves as its in-house consultant on ethnographic textiles, and has featured in more than 50 publications. He lives in California.
Sandra Sardjono is president of the Tracing Patterns Foundation, a non-profit organization that promotes textile study.
Itie van Hout is the former curator of textiles at the Tropenmuseum, Amsterdam, and is the author of a number of books on Indonesian textiles
Fiona Kerlogue is a research associate in the Centre of South East Asian Studies at the School of Oriental and African Studies (SOAS) in London. She was formerly curator of Asian Anthropology at the Horniman Museum in London.
Robyn Maxwell is the retired curator of the Department of Asian Art at the Australian National Gallery, Canberra.